A work in constant progress (and occasional regress).
Release Date:
January 20, 2017
Original Title:
Detour
Alternate Titles:
To Kill a Man
绕行
Genres:
Action | Thriller
Production Companies:
Bankside Films
Dan Films
Head Gear Films
Kreo Films
Metrol Technology
Newscope Films
Production Countries:
South Africa | United Kingdom
Ratings / Certifications:
CH: 16 DE: 16 GB: 15 JP: R15+ NL: 16 US: R
Runtime: 97
A young law student, grieving for his dying mother, struggles to decide whether he should kill his unfaithful step-father.
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3D Generalist:
Tom Cowlishaw
ADR & Dubbing:
Patrick Christensen
Mitch Dorf
James Ridgway
Stephen Webster
Associate Producer:
Laurie Cook
Camera Operator:
Regardt Maritz
Casting:
Colin Jones
Casting Associate:
Toby Spigel
Co-Producer:
Jonathan Taylor
Costume Design:
Ros Berkeley-Hill
Director:
Christopher Smith
Director of Photography:
Christopher Ross
Editor:
Kristina Hetherington
Executive Producer:
Hilary Davis
Elliot Ross
Fenella Ross
Casey van der Touw
Foley:
Ian Waggott
Foley Editor:
Ben Cross
Hair Designer:
Francesca Van Der Feyst
Line Producer:
Teri-Lin Robertson
Makeup Designer:
Francesca Van Der Feyst
Original Music Composer:
James Griffith
Pablo Clements
Producer:
Julie Baines
Phil Hunt
Stephen Kelliher
Jason Newmark
Compton Ross
Production Design:
Sharon Lomofsky
Script Supervisor:
Tamarin Kotze
Set Costumer:
Mari van der Merwe
Set Decoration:
Anneke Botha
Sound Effects Editor:
Jens Rosenlund Petersen
Sound Re-Recording Mixer:
Sven Taits
Sound Recordist:
J.J. Le Roux
Special Effects Supervisor:
Antony Stone
Steadicam Operator:
Adi Visser
Stunt Coordinator:
Antony Stone
Supervising Dialogue Editor:
Ian Morgan
Supervising Sound Editor:
Paul Davies
Visual Effects Producer:
Andy Burrow
Writer:
Christopher Smith
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.