A work in constant progress (and occasional regress).
Release Date:
December 22, 2016
Original Title:
Why Him?
Alternate Titles:
Porquê ele?
Tinha Que Ser Ele
Почему он.
Genres:
Comedy
Production Companies:
20th Century Fox
21 Laps Entertainment
75 Year Plan Productions
Red Hour
TSG Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CH: 16 CZ: 15+ DE: 12 DK: 7 ES: 12 GB: 15 GR: Κ-15 HK: IIB HU: 18 IE: 16 LT: N-16 MX: B-15 NL: 12 PL: 16 PT: M/12 RO: 15 RU: 16+ SE: 7 SK: 15 US: R
Runtime: 111
A dad forms a bitter rivalry with his daughter's young rich boyfriend.
Art Direction:
Gary Warshaw
Casting:
Rachel Tenner
Casting Associate:
Charlene Lee
Co-Producer:
Scott Robertson
Costume Design:
Marlon Mizrahi
Leesa Evans
Director:
John Hamburg
Director of Photography:
Kris Kachikis
Driver:
Margo Hunt McKay
Editor:
Dean Zimmerman
William Kerr
Executive Producer:
James Franco
Georgia Kacandes
John Hamburg
Lighting Programmer:
Christopher Ferguson
Location Manager:
Kei Rowan-Young
Ryan J. Shaw
Location Scout:
Lori A. Balton
Original Music Composer:
Theodore Shapiro
Post Production Supervisor:
Rand Geiger
Producer:
Jonah Hill
Ben Stiller
Dan Levine
Shawn Levy
Production Coordinator:
Jason Zorigian
Production Design:
Matthew Holt
Production Supervisor:
Nathan Kelly
Screenplay:
Ian Helfer
John Hamburg
Script Supervisor:
Steve Gehrke
Set Decoration:
Traci Spadorcia
Jan Pascale
Lia Roldan
Set Designer:
Eric Sundahl
Jeff Markwith
Set Dresser:
Tom Zawacki
Story:
Jonah Hill
John Hamburg
Ian Helfer
Stunt Coordinator:
Garrett Warren
Kurt D. Lott
Stunt Double:
Ben Jenkin
Jason Chu
Stunt Driver:
Jef Groff
Stunts:
Kurt Bryant
Mark Vanselow
Brandon Melendy
Ryan Hosking
Sera Trimble
Garrett Hammond
Alex Chansky
Zach Hudson
Chris Carnel
Cord Walker
Steve Hassenpflug
Sandra Lee Gimpel
Title Designer:
Aaron Becker
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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