A work in constant progress (and occasional regress).
Release Date:
September 26, 2000
Original Title:
NoAngels.com
Genres:
Documentary
Production Companies:
Surrender Cinema
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 74
This is the true story of five beautiful women who decide to spice up their lives - and their bank accounts - by creating the ultimate erotic website: NO ANGELS.COM.
"B" Camera Operator:
Roberto Correa
Additional Casting:
Denise Brown
Don Pascual
Art Direction:
Jack Steele
Assistant Costume Designer:
Abigail Nieto
Belinda Sink
Assistant Makeup Artist:
Erin Wooldridge
Best Boy Electric:
Jamie Lind
Boom Operator:
Brooke Landers
Kevin Morrison
Camera Operator:
Joshua Paul
Catering:
Mike San Felipo
Craft Service:
Mike San Felipo
Director:
Cybil Richards
Charles Band
Director of Photography:
Mirek Bohusz
Editor:
Edward Parker-Jones
Bob Rawlins
Editorial Staff:
Bili Rubin
Executive Producer:
Charles Band
Michael Feichtner
First Assistant Camera:
Omar Menjivar
First Assistant Director:
Flick McBean
Gaffer:
Matthias Miller
Grip:
Jamie Lind
Key Grip:
Dave Ortegon
Key Makeup Artist:
Bonni Flowers
Stella Tzanidakis
Music:
Strings Brothers
Music Editor:
Nick Beal
Online Editor:
Chuck E. Knob
Post Production Supervisor:
Sandra Lange
Producer:
Pat Siciliano
Producer's Assistant:
Denise Brown
Production Assistant:
Vernardo Valenzuela
William Three
Carlos Valenzuela
Franklin R. Jones
Robert Olvera
Production Coordinator:
Dana Stern
Script Supervisor:
Maria Firenze
Second Assistant Director:
Mihae Chun
Michele LaBrucherie
Second Second Assistant Director:
Everett Rodd
Sound Mixer:
Jim Machowski
Sivv Sivertsen
Still Photographer:
Sheryll Coulon
Supervising Sound Editor:
Jake C. Michaels
Swing:
Shaun "E" Mac
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.