A work in constant progress (and occasional regress).
Release Date:
October 1, 1989
Original Title:
Murder in Law
Genres:
Horror
Production Companies:
Kartaire Entertainment
Ullverton Film Productions
Ratings / Certifications:
DE: 18
Runtime: 94
A young man's mother comes from Louisiana to live with her son in San Francisco. What her son doesn't know is that Mom was confined to a mental hospital in Louisiana, and she murdered an orderly to escape.
Art Direction:
Alison Rupp
Assistant Editor:
Andrew S. Eisen
Monisha Gupta
Assistant Sound Editor:
Tracy Toon
Mark Larry
Best Boy Electric:
Daniele Benoit
Boom Operator:
Stanley B. Gill
Camera Loader:
Doug Johnson
Don Brown
Camera Operator:
Mark Bedrosian
Director:
Tony Jiti Gill
Director of Photography:
Steve Beer
Editor:
Beth Conwell
Electrician:
Jan Poldervaart
Andrew Loo
Susan Rollin
Executive Producer:
Steve Beer
First Assistant Camera:
Pierre Chemaly
First Assistant Director:
Doug Wallace
Foley:
Patrick Cabral
Tim Chilton
Gaffer:
Waide R. Allen
Grip:
Brian Schlatter
Hairstylist:
Sarah Deal
Key Grip:
Greg Maselli
Location Sound Mixer:
Rob Janiger
Pat Toma
Makeup Artist:
Sarah Deal
Makeup Effects Designer:
Jon McCallum
Music Editor:
Randy Vandegrift
Original Music Composer:
Jon McCallum
Producer:
Stephen Carter
Production Coordinator:
Sally Clarke
Production Manager:
Robert Sloan
Property Master:
Katherine Miller
Script Supervisor:
Ken Goldberg
Second Assistant Camera:
Art Adams
Set Decoration:
Michelle Marini
Sound Editor:
Dane A. Davis
John Kwiatkowski
Kimberly Voight-Knight
G.W. Brown
Tom Hammond
Martha Atwell
Sound Mixer:
Irv Nafshun
Steven Nafshun
Steadicam Operator:
Rusty Geller
Still Photographer:
Carol Stoddard
Stunt Coordinator:
Rob Donaghy
Wardrobe Master:
Karen Marie Troncone
Writer:
Tony Jiti Gill
Stephen Carter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.