A work in constant progress (and occasional regress).
Release Date:
July 16, 1999
Original Title:
Eyes Wide Shut
Alternate Titles:
Cu ochii larg inchisi
De Olhos Bem Fechados
Gözleri Tamamen Kapalı
Gözlər Sıxıca Qapalı
Gözü tamamen kapalı
Oczy Szeroko Zamknięte
Ojos Bien Cerrados
Ojos bien cerrados
Oči širom zatvorene
Plačiai užmerktos akys
Rhapsody
Spalující touha
Traumnovelle
Tágra zárt szemek
Široko zaprte oči
Μάτια ερμητικά κλειστά
Із широко заплющеними очима
С широко закрытыми глазами
Широко затворени очи
Широм затворених очију
Լայն փակված աչքերով
عيون مغلقة على اتساعها
アイズ ワイド シャット
大开眼戒
大开眼界
大開眼戒
紧闭双眼
아이즈 와이드 셧
Genres:
Drama | Mystery | Thriller
Production Companies:
Hobby Films
Pole Star
Stanley Kubrick Productions
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AR: 18 BE: KNT/ENA BR: 18 CA: 18A CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: TP GB: 18 GR: 16 HK: III HU: 18 IE: 18 IL: 18 IS: 18 IT: VM14 JP: R18+ KR: 18 MX: C NL: 16 NO: 18 NZ: 18 PL: 18 PT: M/16 RU: 18+ SE: 15 SG: R21 TW: R-18 US: R ZA: R
Runtime: 159
After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.
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Art Direction:
John Fenner
Assistant Accountant:
Stella Wycherley
Lara Sargent
Assistant Editor:
Claire Ferguson
Claus Wehlisch
Assistant Sound Editor:
Iain Eyre
Author:
Arthur Schnitzler
Camera Operator:
Martin Hume
Casting:
Leon Vitali
Denise Chamian
Casting Assistant:
Abdul-Majeed Moulvi
Choreographer:
Yolande Snaith
Clapper Loader:
Keith Roberts
Craig Bloor
Costume Design:
Timothy Everest
Marit Allen
Costume Supervisor:
Nancy Thompson
Director:
Stanley Kubrick
Director of Photography:
Larry Smith
Editor:
Nigel Galt
Electrician:
Joe Allen
Shawn White
Dean Wilkinson
Ron Emery
Executive Producer:
Jan Harlan
First Assistant Director:
Brian W. Cook
First Assistant Editor:
Melanie Viner Cuneo
Focus Puller:
Jason Wrenn
Rawdon Hayne
Nick Penn
Foley Artist:
Ruth Sullivan
Foley Editor:
Becki Ponting
Gaffer:
Paul Toomey
Ronnie Phillips
Hair Department Head:
Kerry Warn
Lighting Camera:
Larry Smith
Location Assistant:
Tobin Hughes
Location Manager:
Angus More Gordon
Simon McNair Scott
Makeup Artist:
Robert McCann
Medical Consultant:
C.J. Scheiner
Music Consultant:
Didier de Cottigniers
Musician:
Steve Mair
Negative Cutter:
Trevor Collins
Original Music Composer:
Jocelyn Pook
Other:
Larry Celona
Producer:
Stanley Kubrick
Brian W. Cook
Production Accountant:
John Trehy
Production Design:
Roy Walker
Leslie Tomkins
Production Secretary:
Rachel Hunt
Property Master:
Terry Wells Jr.
Screenplay:
Frederic Raphael
Stanley Kubrick
Script Supervisor:
Annie Simpson
Second Assistant Director:
Adrian Toynton
Second Unit Cinematographer:
Arthur Jafa
Second Unit Director of Photography:
Malik Hassan Sayeed
Set Decoration:
Terry Wells Sr.
Lisa Leone
Sound Mixer:
Nigel Galt
Sound Re-Recording Mixer:
Nigel Galt
Anthony Cleal
Michael A. Carter
Graham V. Hartstone
Special Effects:
Charles Staffell
Special Effects Technician:
Graham Povey
Standby Carpenter:
Roy Hansford
Standby Painter:
Steve Clarke
Standby Rigger:
Anthony Richards
Steadicam Operator:
Pete Cavaciuti
Elizabeth Ziegler
Still Photographer:
Manuel Harlan
Toby E. Cook
Supervising Art Director:
Kevin Phipps
Supervising Sound Editor:
Paul Conway
Third Assistant Director:
Becky Hunt
Rhun Francis
Wardrobe Master:
Jacqueline Durran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.