A work in constant progress (and occasional regress).
Release Date:
August 2, 2018
Original Title:
The Wife
Alternate Titles:
La esposa
Vivere nell'ombra
와이프
Genres:
Drama
Production Companies:
Anonymous Content
Chimney Sweden
Creative Scotland
Embankment Films
Film i Väst
Meta Film
SF Studios
Silver Reel
Sony Pictures Classics
Spark Film & TV
Tempo Productions
Production Countries:
Denmark | Sweden | Switzerland | United Kingdom | United States of America
Ratings / Certifications:
AR: 13 AT: 12 AU: M BR: 12 CA: R CH: 6 DE: 6 DK: 7 ES: 12 GB: 15 HU: 16 IE: 15 IL: הותר לבני 12 ומעלה JP: G KR: 15 NL: AL PL: 16 RU: 16+ SE: 7 US: R
Runtime: 100
A wife questions her life choices as she travels to Stockholm with her husband, where he is slated to receive the Nobel Prize for Literature.
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"B" Camera Operator:
Stellan Runge
ADR Editor:
Thomas Huhn
ADR Recordist:
Rory de Carteret
Forbes Noonan
Art Direction:
Paul Gustavsson
Caroline Grebbell
Assistant Art Director:
Ayden Millar
Assistant Editor:
Hilton Jones
Assistant Location Manager:
Barry Laird
Associate Producer:
Georgia Bayliff
Best Boy Electric:
David Bourke
Boom Operator:
Gary Doig
Camera Trainee:
Ruaraidh MacLeod
Casting:
Elaine Grainger
Susanne Scheel
Casting Assistant:
Joshua Parris
Casting Associate:
Emma Gunnery
Co-Producer:
Peter Gustafsson
Colorist:
Mats Holmgren
Conductor:
Jonathan Peter Kenny
Construction Manager:
Kieran Shellard
Frazer Fyfe
Costume Design:
Trisha Biggar
Costume Supervisor:
Louise Allen
Dialect Coach:
Hilary Jones
Dialogue Editor:
Thomas Huhn
Digital Imaging Technician:
Kerr Loy
Director:
Björn Runge
Director of Photography:
Ulf Brantås
Editor:
Lena Dahlberg-Runge
Electrician:
James Osborn-Brown
Fraser Campbell
Executive Producer:
Björn Runge
Hugo Grumbar
Tim Haslam
Jane Anderson
Mark Cooper
Gero Bauknecht
Gerd Schepers
Jon Mankell
Florian Dargel
Nina Bisgaard
Tomas Eskilsson
First Assistant "B" Camera:
Jaspreet Bal
First Assistant Camera:
Anna Benbow
First Assistant Director:
Jude Campbell
David Gilchrist
Mark Hedges
First Assistant Editor:
Anneli Ossiander
Foley Artist:
Lucas Nilsson
Foley Mixer:
Ingela Jönsson
Gaffer:
Andrew Bailey
Graphic Designer:
Jamie MacWilliam
Grip:
Luke Stone
Hair Designer:
Charlotte Hayward
Key Makeup Artist:
Siân Miller
Line Producer:
Johanna Lind
Location Manager:
Martin Henderson
Pete Murphy
Makeup & Hair:
Caroline Peberdy
Makeup Artist:
Rachel Lennon
Makeup Designer:
Charlotte Hayward
Music Editor:
Thomas Huhn
Music Supervisor:
Rupert Hollier
Novel:
Meg Wolitzer
Orchestrator:
Jocelyn Pook
Original Music Composer:
Jocelyn Pook
Post Production Supervisor:
Michael Sevholt
Producer:
Meta Louise Foldager Sørensen
Jo Bamford
Piers Tempest
Rosalie Swedlin
Claudia Bluemhuber
Production Accountant:
Neil Cairns
Production Assistant:
Anna Fraga McLucas
Production Coordinator:
Sarah Snuggs
Production Design:
Mark Leese
Production Manager:
Claire Campbell
Production Runner:
Matthew Moss
Property Buyer:
Ammie Jay Johnstone
Property Master:
Chris McMillan
Rigging Gaffer:
Fraser Campbell
Screenplay:
Jane Anderson
Script Supervisor:
Dolina MacFarlane
Second Assistant "B" Camera:
Peter Candler
Second Assistant Camera:
Thomas Barber
Second Assistant Director:
Tracey Warren
Set Decoration:
Craig Menzies
Sound Designer:
Thomas Huhn
Sound Effects Editor:
Fredrik Dalenfjäll
Sound Mixer:
Stuart Bruce
Sound Re-Recording Mixer:
Fredrik Dalenfjäll
Thomas Huhn
Sound Recordist:
Stuart Bruce
Standby Art Director:
Martin McNee
Still Photographer:
Graeme Hunter
Stunt Coordinator:
Paul Heasman
Stunt Double:
Robbie Keane
Supervising Sound Editor:
Thomas Huhn
Thanks:
Stellan Skarsgård
Gero Bauknecht
Unit Manager:
Ashley McKee
David Burt
VFX Supervisor:
Fredrik Nord
Visual Effects Supervisor:
Alex Hansson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.