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The Exception (2017) [R]

Release Date:
June 2, 2017

Original Title:
The Exception

Alternate Titles:
Die Ausnahme
The Kaiser's Last Kiss
Η Εξαίρεση
偽りの忠誠 ナチスが愛した女：2017
디 익셉션

Genres:
Drama | War

Production Companies:
Alton Road Productions
Egoli Tossell Film
Egoli Tossell KLK
Ostar Productions
uMedia

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: MA15+  BR: 16  GB: 15  KR: 15세이상관람가  US: R 

Runtime: 107

One duty. One desire. One decision.

Overview from TheMovieDB

Nothing is as it seems in this riveting World War 2 thriller as a wary soldier goes to investigate a mysterious German monarch at his secluded mansion, leading him into a web of deceit and a dangerous love affair with a local Jewish woman.

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Trailer

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Performers

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Production

Additional Grip:
Julien Chassaignon

Assistant Art Director:
Talina Casier

Assistant Costume Designer:
Chiara Nobile

Assistant Editor:
Benjamin Durfort

Assistant Makeup Artist:
Caroline Case

Assistant Property Master:
Jonathan Van Essche

Associate Producer:
Bastien Sirodot
Christopher Landry
Jona Wirbeleit

Best Boy Grip:
Veerle Pipeleers

Casting:
Julia Horan

Casting Assistant:
Finnian Tweed

Co-Producer:
Daniel Toland
Adrian Politowski

Costume Design:
Daniela Ciancio

Costume Supervisor:
Sam Lormans

Dialect Coach:
Liam French Robinson
Julia Wilson Dickson

Dialogue Editor:
Jeroen Truijens

Digital Intermediate Producer:
Tony Kock
Elise Van Reybroeck

Director:
David Leveaux

Director of Photography:
Roman Osin

Editor:
Nicolas Gaster

Electrician:
Steven Soete

Executive Producer:
Ian Hutchinson
Christian Angermayer
Claudia Bluemhuber
Jens Meurer
Bill Haber
Klemens Hallmann
Phil Geier
James Gibb

First Assistant "A" Camera:
Didier Frateur

First Assistant Camera:
Sylvain Fradier

First Assistant Director:
Baudouin du Bois

Foley Artist:
Vincent Maloumian

Foley Editor:
Jérémy Hassid

Foley Mixer:
Patrick Ghislain

Gaffer:
Wim Temmerman

Graphic Designer:
Amandine Grafé

Hairdresser:
Vincent Respriget

Hairstylist:
Jennifer Courouge

Key Grip:
Dries Leerschool

Key Hair Stylist:
Frank van Wolleghem

Lighting Technician:
Tinus Dam

Line Producer:
Stéphane Lhoest

Location Manager:
Wim De Waegenaere

Makeup & Hair:
Daphne Zwanenberg

Makeup Artist:
Katja Piepenstock

Makeup Designer:
Kaatje Van Damme

Novel:
Alan Judd

Original Music Composer:
Ilan Eshkeri

Post Production Supervisor:
Nicolas Bassetto

Producer:
Judy Tossell
Lou Pitt

Production Accountant:
Martin Neufkens

Production Coordinator:
David Ragonig
Elizabeth Small

Production Design:
Hubert Pouille

Property Master:
Emilie Debus

Rigging Grip:
Dominique Degand

Screenplay:
Simon Burke

Script Supervisor:
Els Rastelli

Second Assistant Camera:
Sofie Van Bos

Second Assistant Director:
Maria Nita

Second Unit Director:
Nicolas Gaster

Set Decoration:
Ilse Willocx
Lieven Baes

Sound Effects Editor:
Jeroen Truijens

Sound Mixer:
Pascal Jasmes
Henri Morelle

Sound Re-Recording Mixer:
Alek Goosse

Special Effects Supervisor:
Rick Wiessenhaan

Steadicam Operator:
Yvan Coene
Jo Vermaercke
Olivier Merckx

Still Photographer:
Jo Voets
Marc Bossaerts

Stunt Coordinator:
Ron Sleeswijk

Stunt Double:
Christian Hebenstreit
Christian Petersson
Heidi Alemans
Philip van Ees
Brian van de Vooren

Stunt Driver:
Aidan Brindle

Stunts:
Nick Roeten
Nicolas de Pruyssenaere
Eric Ford

Supervising Sound Editor:
François Dumont

Unit Production Manager:
Nadine Borreman

Wardrobe Supervisor:
Raissa Hans

Wigmaker:
Virginie Berland

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.