A work in constant progress (and occasional regress).
Release Date:
January 1, 2008
Original Title:
Pygmalion Event
Ratings / Certifications:
N/A
Runtime: 4
The simultaneous double projection of The Pygmalion Event is concerned with the topic of metamorphosis and the transitions in the process of cognition. The left hand screen shows the priest of the chapel at the dominican monastery in Vence, France, as he puts on his robes and presents them to the viewer. The chapel in Vence was designed by Henri Matisse as a Gesamtkunstwerk (an untranslatable German term denoting a "total", "complete" artwork), from the windows to the exact liturgical robes the priest is putting on in the film. On the right hand screen, a movie is projected that appears to react, as it were, to the scene on the left hand screen, for its images correspond to the actions of the priest. Colors, landscapes or pictograms are evoked and add a formal commentary to the narrative structure of the film on the screen to the left. Just like two different linguistic systems which read and react to each other, the images change because of their respective counterparts.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.