Home

The Blackcoat's Daughter (2017) [R]

Release Date:
March 31, 2017

Original Title:
The Blackcoat's Daughter

Alternate Titles:
Februar
February
La enviada del mal
The Devil's Daughter
フェブラリィ－悪霊館－

Genres:
Horror | Mystery

Production Companies:
120dB Films
Go Insane Films
Highland Film Group
Paris Film Production
Traveling Picture Show Company
Unbroken Pictures
Zed Filmworks

Production Countries:
Canada | France | United States of America

Ratings / Certifications:
AU: MA15+  BR: 16  CH: 16  DE: 16  ES: 16  FR: 12  GB: 15  HK: IIB   IE: 15  MX: B15  NL: 16  PL: 16  SG: NC16   TW: R-18  US: R 

Runtime: 93

Abandoned as a child. Raised by the dark.

Overview from TheMovieDB

Two young women at a prestigious prep school are assailed by an evil, invisible power when they're stranded over winter break.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Art Department Coordinator:
Roxanne Landry

Assistant Costume Designer:
Jasmine Murray-Bergquist

Assistant Editor:
Breannah Gibson

Assistant Sound Editor:
Melissa Hinton

Associate Producer:
Chris Armogida
Sarah Deline

Best Boy Electric:
Sheena Johnson
Wesley Van Hoof

Boom Operator:
Julien Desormeaux

Camera Operator:
Nick Lacelle

Carpenter:
Dan Gallant
William Mood

Casting:
Eyde Belasco
Ilona Smyth

Colorist:
Mark Driver

Compositors:
Helen Thach

Costume Design:
Jennifer Stroud

Dialogue Editor:
Jesse Gillingham

Director:
Osgood Perkins

Director of Photography:
Julie Kirkwood

Dolly Grip:
Robert Courtemanche

Editor:
Brian Ufberg

Executive Producer:
Kevin Matusow
Arianne Fraser
Carissa Buffel

First Assistant "A" Camera:
Diego Dias

First Assistant "B" Camera:
brooks hunter
Jessie Turner

First Assistant Director:
Anthony Lefresne

Gaffer:
John Olts

Hairstylist:
Tara Brawley

Key Grip:
Anthony Police

Key Makeup Artist:
Marissa Clemence

Location Manager:
Michel Poirier

Location Scout:
John Petti

Makeup & Hair:
Maria José Moreira

Makeup Effects:
Emily Skoggard
Alexandra Smith

Music Editor:
Zed Starkovich

Original Music Composer:
Elvis Perkins

Painter:
Kendrick de Lepper
Stephanie Essig
Rachel Hauraney
Geoff Sangster

Post Production Supervisor:
W. Michael Beard
Andre Coutu

Producer:
Bryan Bertino
Adrienne Biddle
Alphonse Ghossein
Robert Menzies
Rob Paris

Production Coordinator:
Veronica Davidson
Sarah Kryszak

Production Design:
Shane Boucher
Lisa Soper

Production Manager:
Sarah Deline

Production Supervisor:
Steve Boisvert

Property Master:
Tim Winchester

Publicist:
Ryan Bender

Script Supervisor:
Forbes Campbell

Second Assistant Director:
Joseph J. Gillanders

Set Decoration:
Garren Dunbar
Francis Lapierre

Set Dresser:
Kat Baldassari
Ben Belanger
Paul Pellerin

Sound Designer:
Allan Fung

Sound Editor:
Richard Harkness

Sound Mixer:
Trevor Goulet

Sound Re-Recording Mixer:
Bruce Fleming
Matthew McKenzie

Special Effects Makeup Artist:
Tabitha Burtch

Still Photographer:
Petr Maur

Storyboard Designer:
Tim Longo

Stunt Coordinator:
Alain Moussi
Layton Morrison

Stunts:
Susana Baker

Third Assistant Director:
Taralee Gerhard

Visual Effects Producer:
Candice McHugh

Visual Effects Supervisor:
Sam Javanrouh

Writer:
Osgood Perkins

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.