A work in constant progress (and occasional regress).
Release Date:
July 25, 2015
Original Title:
Backtrack
Alternate Titles:
Backtrack: Les Revenants
Backtrack: Sin regreso
Otstuplenie
Sin Regreso
Ölüm Treni
Возвращение
回溯
백트랙
Genres:
Horror | Mystery | Thriller
Production Companies:
Bankside Films
Head Gear Films
Metrol Technology
Screen Australia
Production Countries:
Australia | United Kingdom
Ratings / Certifications:
DE: 16 DK: 15 ES: 12 GB: 15 JP: G KR: 15세이상관람가 US: R
Runtime: 90
Troubled psychotherapist Peter Bowers is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.
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Animation:
David James Henderson
Art Department Coordinator:
Nancy Dentice
Art Direction:
Sophie Nash
Casting:
Jenny Jue
Casting Associate:
Krista Husar
Costume Design:
Justine Seymour
Costume Supervisor:
Matthew Aberline
Digital Intermediate:
Matthew T. Griffin
Katherine Heads
Director:
Michael Petroni
Director of Photography:
Stefan Duscio
Editor:
Martin Connor
Luke Doolan
First Assistant Editor:
Daniel Le
Foley Artist:
Andrew Simmons
Foley Editor:
Andrew Simmons
Foley Supervisor:
Blair Slater
Gaffer:
Paul Johnstone
Hairstylist:
Rachelle O'Donnell
Makeup Artist:
Simon Joseph
Georgia Lockhart-Adams
Rachelle O'Donnell
Makeup Designer:
Katherine Brown
Original Music Composer:
Dale Cornelius
Producer:
Antonia Barnard
Jamie Hilton
Michael Petroni
Production Design:
Elizabeth Mary Moore
Script Supervisor:
Kira Bohn
Set Costumer:
Stacey O'Connor
Sound Re-Recording Mixer:
Robert Mackenzie
Sound Recordist:
Paul 'Salty' Brincat
Special Effects Supervisor:
Lloyd Finnemore
Steadicam Operator:
Grant Adams
Still Photographer:
Bradley Patrick
Mark Rogers
Stunt Coordinator:
Tony Lynch
Stunts:
Milan Pulvermacher
Supervising Sound Editor:
William Ward
Visual Effects Editor:
Daniel Le
David Quinn
Visual Effects Producer:
James Whitlam
Visual Effects Supervisor:
James Rogers
Writer:
Michael Petroni
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.