A work in constant progress (and occasional regress).
Release Date:
June 11, 1993
Original Title:
Jurassic Park
Alternate Titles:
Dzhurasik park
Jurassic Park (Remastered)
Jurassic Park 1
Jurassic Park 3D
Jurassic Park I
Park Ha-Yura
Park Yurskogo perioda
Park Yursʹkoho periodu
Park iz doba jure
Parque Jurásico (Jurassic Park)
حديقة جوراسية
จูราสสิค ปาร์ค 1 : กำเนิดใหม่ไดโนเสาร์
ジュラシック・パーク
侏罗纪公园
Genres:
Adventure | Science Fiction
Production Companies:
Amblin Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 AU: PG BG: C BR: 14 CZ: 12+ DE: 12 DK: 11 ES: 12 FI: K-12 FR: TP GB: PG HU: 16 IE: 12 IT: T KR: 12 MX: A NL: 12 NO: 12 PL: 16 PT: M/12 RO: 18 SE: 11 TW: 保護級 US: PG-13
Runtime: 127
A wealthy entrepreneur secretly creates a theme park featuring living dinosaurs drawn from prehistoric DNA. Before opening day, he invites a team of experts and his two eager grandchildren to experience the park and help calm anxious investors. However, the park is anything but amusing as the security systems go off-line and the dinosaurs escape.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2001 #35 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
ADR Editor:
Laurel Ladevich
ADR Mixer:
Dean Drabin
ADR Recordist:
Ann Hadsell
Additional Photography:
Lloyd Ahern II
Aerial Coordinator:
Robert 'Bobby Z' Zajonc
Art Department Coordinator:
Caroline Quinn
Art Direction:
William James Teegarden
John Bell
Assistant Accountant:
Elena Holden Tuens
Assistant Art Director:
Lauren Cory
Martin A. Kline
Paul Sonski
Assistant Camera:
John Connell
Assistant Chief Lighting Technician:
Steve Chandler
Assistant Dialogue Editor:
Donna Jaffe
Assistant Editor:
Roberto McGrath
Assistant Location Manager:
Sam Lee
Assistant Production Coordinator:
Sherry Marshall
Assistant Property Master:
Ken Peterson
Assistant Sound Designer:
Christopher Boyes
Associate Producer:
Lata Ryan
Colin Wilson
Best Boy Grip:
Sid Lucero
Boom Operator:
Robert Jackson
CG Animator:
Steve 'Spaz' Williams
Geoff Campbell
Camera Loader:
Stephen Sfetku
Camera Operator:
Raymond Stella
Carpenter:
Alvin S. Cabrinha Jr.
Casting:
Jane Jenkins
Janet Hirshenson
Casting Assistant:
Susanna Griffith
Casting Associate:
Michael Hirshenson
Chief Lighting Technician:
Mark Walthour
Color Timer:
Dale Caldwell
Compositors:
Brian N. Bentley
Concept Artist:
Mark 'Crash' McCreery
Construction Coordinator:
John Villarino
Construction Foreman:
John R. Elliott
Costume Supervisor:
Sue Moore
Eric H. Sandberg
Costumer:
Mitchell Ray Kenney
Kelly Porter
Craft Service:
Tim Gonzales
Dialogue Editor:
Sara Bolder
Michael Silvers
Digital Compositors:
Ryan Keely
Director:
Steven Spielberg
Director of Photography:
Dean Cundey
Dolby Consultant:
Douglas Greenfield
Dolly Grip:
Dave Wachtman
Driver:
Tino Caira
Editor:
Michael Kahn
Editorial Coordinator:
David Tanaka
Electrician:
Roger Thompson
Executive In Charge Of Production:
Patricia Blau
First Assistant Camera:
Calmar Roberts
First Assistant Director:
John T. Kretchmer
Foley Artist:
Marnie Moore
Dennie Thorpe
Foley Editor:
Sandina Bailo-Lape
Mary Helen Leasman
Foley Recordist:
Christopher Boyes
Gaffer:
Jack S. Schlosser
General Manager:
Jim Morris
Greensman:
Jeff Brown
Grip:
John Coker
Hair Supervisor:
Fríða Aradóttir
Lynda Gurasich
Head Greensman:
Dan Ondrejko
Helicopter Camera:
David B. Nowell
I/O Supervisor:
Rachel Decker
Key Grip:
Ron Cardarelli
Key Rigging Grip:
Bud Heller
Layout:
Robert Peluce
Leadman:
Tim Donelan
Lighting Technician:
Henry Charleston
Location Manager:
Ken Levine
Location Scout:
Rory Enke
Makeup Supervisor:
Christina Smith
Monty Westmore
Mechanical Designer:
Evan Brainard
Music Arranger:
Chris Boardman
Music Editor:
Kenneth Wannberg
Musician:
Armen Ksajikian
Tom Boyd
Negative Cutter:
Gary Burritt
Louis Rivera
Novel:
Michael Crichton
Orchestrator:
Alexander Courage
Original Music Composer:
John Williams
Payroll Accountant:
Kristen J. Nye
Pilot:
J.W. 'Corkey' Fornof
Post Production Assistant:
Robert West
Producer:
Kathleen Kennedy
Gerald R. Molen
Production Accountant:
Pam Kaye
Production Assistant:
Kimberly Verros
Production Controller:
Jane Goe
Production Coordinator:
Mark Lohff
Production Design:
Rick Carter
Production Illustrator:
Tom Cranham
Production Manager:
Jason Pomerantz
Production Office Coordinator:
Angela Heald
Production Secretary:
Lynne Cannizzaro
Production Supervisor:
Jules Roman
Projection:
Timothy Greenwood
Property Master:
Jerry Moss
Propmaker:
Victor Anderson
Rigging Gaffer:
Patrick Marshall
Rotoscoping Artist:
Erick Aragon
Scoring Mixer:
Shawn Murphy
Screenplay:
Michael Crichton
David Koepp
Script Supervisor:
Ana Maria Quintana
Sculptor:
Yarek Alfer
Second Assistant Camera:
Jolanda R. Wipfli
Second Assistant Director:
Michele Panelli-Venetis
Second Second Assistant Director:
Kenneth Silverstein
Second Unit Director:
Gary Hymes
Second Unit First Assistant Director:
Carla McCloskey
Security:
Mark Travis
Senior Animator:
Randal M. Dutra
Set Decoration:
Jackie Carr
Set Designer:
John Berger
Masako Masuda
Lauren E. Polizzi
Set Dresser:
Luigi Mugavero
Set Painter:
Maureen Kropf
Software Engineer:
Bruce Lamond
Sound Designer:
Gary Rydstrom
Sound Effects Editor:
Ken Fischer
Teresa Eckton
Tim Holland
Sound Mixer:
Ron Judkins
Sound Re-Recording Mixer:
Gary Summers
Shawn Murphy
Gary Rydstrom
Sound Recordist:
Ron Judkins
Special Effects:
Stan Winston
Special Effects Supervisor:
Michael Lantieri
Special Effects Technician:
Thomas R. Homsher
Stand In:
Don Feldstein
Cynthia Madvig
Standby Painter:
Anthony 'AJ' Leonardi Jr.
Stereoscopic Editor:
Derek N. Prusak
Stereoscopic Supervisor:
Sherin Varghese
Stereoscopic Technical Director:
Brian Hawkins
Still Photographer:
Murray Close
Stunt Coordinator:
Gary Hymes
Stunt Double:
Patricia Tallman
Stunts:
Nathalie B. Bollinger
Pat Romano
Brian Smrz
R.A. Rondell
Les Larson
Gary McLarty
Norman Howell
Donna Evans
Gary Epper
Rusty Hanson
Larry Davis
Laura Dash
Supervising Sound Editor:
Richard Hymns
Swing:
Scott W. Leslie
Systems Administrators & Support:
William F. Hamilton
Textile Artist:
Phyllis Thurber-Moffit
Transportation Captain:
Hal Lary
Transportation Coordinator:
Denny Caira
Unit Production Manager:
Paul Deason
Unit Publicist:
Marsha Robertson
Visual Effects:
Kim Blanchette
Phil Tippett
Visual Effects Art Director:
TyRuben Ellingson
Visual Effects Camera:
Terry Chostner
Visual Effects Coordinator:
Judith Weaver
Visual Effects Editor:
Chris O'Connell
Michael Gleason
Visual Effects Producer:
Janet Healy
Visual Effects Production Assistant:
Meredith Garrison
Visual Effects Supervisor:
Mark A.Z. Dippé
Dennis Muren
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.