A work in constant progress (and occasional regress).
Featuring:
Amedeo Nazzari, Myriam Bru, Jacques Sernas
Written by:
Alberto Albani Barbieri
Leonardo Benvenuti
Alessandro Ferraù
Directed by:
Mario Costa
Release Date:
December 9, 1953
Original Title:
Ti ho sempre amato!
Alternate Titles:
Marquée par le destin
Genres:
Drama | Romance
Production Companies:
Rizzoli Film
Royal Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 92
A landowner loves a good girl, but is ensnared by another richer woman who is actually aiming for her fortune. This she will be able to temporarily make the two young men go away but the man makes his girlfriend understand that her is true love; he realizes that he has been the victim of a scam and will bring the woman he has always loved to the altar.
Ordinary melodrama concerning the fate of a poor inexperienced girl coming directly from a nunnery out to the mean intrigues of ordinary life among men of vary different degrees of baseness, who naturally all subject her to mean treatment, forcing her to constantly run away, to finally end up in a hospital for mothers giving birtth to children without fathers. It's all Italian and human enough, and also the women are of very different sorts of femininity, and there is actually only one woman who treats Maria well - and she ultimately saves her, above all by scolding the irresponsible father, who isn't bad at all but only the victim of another woman's intrigues. Yet it is not very operatic nor sentimental nor exaggerated in any way, but the main quality of the film is the music by Carlo Rustichelli, which consistently wraps the film up in velvet, causing its main enjoyment. It's not a great film nor remarkable in any way, but it tells something of conditions in Italy concerning lone mothers and how they actually could be well taken care of by the presence of ordinary human compassion, which naturally is perhaps more omnipresent in Italy than in any other European country, espcially in the early fifties.
Assistant Editor:
Fernanda Materni
Camera Operator:
Sergio Bergamini
Conductor:
Franco Ferrara
Costume Design:
Elio Costanzi
Marilù Carteny
Director:
Mario Costa
Director of Photography:
Tonino Delli Colli
Editor:
Otello Colangeli
First Assistant Director:
Paolo Heusch
Alberto Albani Barbieri
Hairstylist:
Violetta Pacelli
Makeup Artist:
Andrea Riva
Original Music Composer:
Carlo Rustichelli
Producer:
Guido Giambartolomei
Carlo Salsano
Production Design:
Virgilio Marchi
Production Manager:
Jone Tuzi
Production Secretary:
Aldo Puccini
Screenplay:
Alberto Albani Barbieri
Leonardo Benvenuti
Alessandro Ferraù
Giuseppe Mangione
Script Supervisor:
Mario Tota
Set Decoration:
Ferdinando Ruffo
Sound:
Raffaele Del Monte
Paolo Pallottino
Special Effects:
Francesco Contardi
Still Photographer:
Max Hutzel
Theatre Play:
Enrico Ragusa
Unit Manager:
Emimmo Salvi
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.