A work in constant progress (and occasional regress).
Release Date:
August 17, 2006
Original Title:
Snakes on a Plane
Alternate Titles:
Maod lennukis
Rắn Độc Trên Không
Terror a bordo
Čūskas lidmašīnā
Змије у авиону
Змії на борту літака
سنايكس أون إيه بلاين
เลื้อยฉก เที่ยวบินระทึก
スネーク・フライト
毒蛇航班
空中蛇灾
Genres:
Action | Adventure | Crime | Thriller
Production Companies:
Eyetronics
H2L Media Group
Meradin Zweite Productions
Mutual Film Company
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 16 FR: 10 GB: 15 HU: 18 IE: 15A NL: 16 PT: M/16 US: R
Runtime: 105
FBI agent Neville Flynn boards a flight from Honolulu, Hawaii to Los Angeles, escorting a key witness to testify against a mob boss at an upcoming trial. An on-board assassin releases a crate full of hundreds of deadly venomous snakes in an attempt to eliminate the witness. Flynn and a host of frightened passengers and crew must band together to survive the slithery threat.
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"A" Camera Operator:
Tommy Lohmann
24 Frame Playback:
David J. McGraw
ADR Editor:
Hugh Waddell
ADR Mixer:
Greg Steele
ADR Recordist:
Greg Zimmerman
ADR Voice Casting:
Terri Douglas
Additional Second Assistant Director:
Paula Janos
Administration:
Caroline Belisle
Aerial Director of Photography:
Hans Bjerno
Ager/Dyer:
Lanny Campbell
Animal Wrangler:
Marissa Schwierjohn
Animation Supervisor:
Paul Griffin
Animatronics Designer:
Brian Poor
Animatronics Supervisor:
Rick Lazzarini
Armorer:
Tom Felcan
Art Department Coordinator:
Michelle Gasque
Art Department Production Assistant:
Randy Hutniak
Art Direction:
John Alvarez
Assistant Camera:
Yvonne Chu
Assistant Chef:
Paul Archer
Assistant Costume Designer:
Janice MacIsaac
Assistant Editor:
Kenneth Marsten
Assistant Location Manager:
Kent Matsuoka
Assistant Production Coordinator:
Shauna Sanders
Assistant Property Master:
Mark Francis
Assistant Sound Editor:
John Cannon
Associate Producer:
Tawny Ellis
Jeff Katz
Heather Meehan
Best Boy Electric:
Kirk Bartolata
Best Boy Grip:
Sean P. Fickert
Boom Operator:
Donald D. Brown
Cableman:
Mark Fay
Camera Loader:
Terry Wolcott
Camera Operator:
Tommy Lohmann
Cyrus Block
Camera Trainee:
Richard McSeeney
Carpenter:
Perry Baycroft
Casting:
Mindy Marin
Heike Brandstatter
Casting Assistant:
James McKenzie Moore
Casting Associate:
Kara Lipson
Chef:
Kelly Denismore
Color Timer:
Steve Lemley
Compositing Supervisor:
Ed Mendez
Compositor:
Dan Akers
Construction Buyer:
Wendy J. Findlay
Construction Coordinator:
Jan Kobylka
Costume Design:
Karen L. Matthews
Costume Set Supervisor:
Shane Deschamps
Costumer:
Askia Won-Ling Jacob
Craft Service:
Ari Ben Ron
Dialogue Editor:
Michelle Pazer
Digital Compositor:
Miguel Arranz
Digital Effects Supervisor:
Jeff Goldman
Digital Intermediate Editor:
Curtis Lindersmith
Director:
David R. Ellis
Director of Photography:
Adam Greenberg
Craig Haagensen
Dolly Grip:
Ryan Copeland
Driver:
Felix Fanzega
Editor:
Howard E. Smith
Editorial Production Assistant:
Alexander J. Harper
Electrician:
Rick Crum
Executive In Charge Of Post Production:
Jody Levin
Executive In Charge Of Production:
Erik Holmberg
Executive Producer:
Sandra Rabins
Stokely Chaffin
Toby Emmerich
Penney Finkelman Cox
Justis Greene
George Waud
Executive in Charge of Finance:
Paul Prokop
Extras Casting:
Lisa Ratke
Extras Casting Coordinator:
Katherine Keizer
First Assistant Accountant:
Andrea Larsen
First Assistant Camera:
Sandes Ashe
First Assistant Director (Prep):
Adam Lawson
First Assistant Editor:
Mindy Elliott
First Assistant Hairstylist:
Renee Dombrosky
First Assistant Makeup Artist:
Megan Harkness
First Assistant Production Coordinator:
Chaunce Drury
Foley Artist:
James Moriana
Foley Recordist:
Nerses Gezalyan
Gaffer:
Bill Dawson
Generator Operator:
Ken Decker
Head Greensman:
Dave Emmonds
Key Grip:
Kevin Black
Key Hair Stylist:
Robert A. Pandini
Key Makeup Artist:
Monica Huppert
Key Rigging Grip:
Robert J. Reilly
Lead Animator:
Michael Cozens
Lead Painter:
Jan Reeves
Location Manager:
Deborah D. Bose
Location Scout:
Doug White
Makeup Artist:
Allan A. Apone
Marianne Olsen
Matte Painter:
Romain Bayle
Music Consultant:
Dana Sano
Music Editor:
Robb Boyd
Musician:
Mark Adams
Negative Cutter:
Gary Burritt
On Set Dresser:
James Kilcher
Orchestrator:
Tom Calderaro
Original Music Composer:
Trevor Rabin
Paint Coordinator:
Mario Tomas-Niedworok
Painter:
Bayard Baudoin
Danelle Vierkant
Payroll Accountant:
Jill Anderson
Playback Coordinator:
Scott Steyns
Post Production Accountant:
Rick Coffee
Post Production Coordinator:
Rachel Faith Hanson
Post Production Supervisor:
Jay Vinitsky
Producer:
Craig Berenson
Don Granger
Gary Levinsohn
Production Accountant:
Terry Edinger
Production Assistant:
Olivier Beaulieu
Production Controller:
Jon Davidson
Production Coordinator:
Jules Carideo
Production Design:
Jaymes Hinkle
Production Executive:
Jeff Barnes
Production Sound Mixer:
Michael McGee
Production Supervisor:
Delia Circelli
Property Master:
R.D. 'Luther' Fairbairn
Publicist:
Lee Anne Muldoon
Rigging Gaffer:
Michael Mayo
Rigging Grip:
Jonathan Bosse
Rotoscoping Artist:
Lindsay M. Hoppe
Scenic Artist:
Valerie Shmakin
Screenplay:
Sebastian Gutierrez
John Heffernan
Script Supervisor:
Kelly Moon
Sculptor:
Joe Colwell
Second Assistant Camera:
Allison Beda
Second Assistant Director:
Cindy Smith
Second Assistant Production Coordinator:
Spencer Hon Lui
Second Second Assistant Director:
Rudy Van Zyl
Second Unit Director:
Freddie Hice
Second Unit First Assistant Director:
John MacCarthy
Security:
Robert Milicevic
Set Costumer:
Alejandro M. Hernandez
Set Decoration:
Mary-Lou Storey
Erin Boyd
Set Decoration Buyer:
Zoe Jirik
Set Designer:
Vivien Nishi
Set Dresser:
Jeremy Hanen
Sound Assistant:
Ian Ferguson
Sound Designer:
Harry Cohen
Sound Effects Editor:
Steve Mann
Sound Engineer:
Christopher Sidor
Sound Mixer:
Mark Weingarten
Sound Recordist:
Gabriel J. Serrano
Special Effects:
Eric Bullock
Special Effects Assistant:
Dennis Briest
Special Effects Makeup Artist:
Gideon Hay
Special Effects Supervisor:
Alex Burdett
Special Effects Technician:
Justin Bertges
Stand In:
Malcolm Dane
Standby Painter:
Sam Clemens
Steadicam Operator:
Tommy Lohmann
Still Photographer:
James Dittiger
Story:
John Heffernan
David Dalessandro
Storyboard Artist:
Timothy Burgard
Stunt Coordinator:
Annie Ellis
Freddie Hice
Stunt Double:
Ed Anders
Kylie Furneaux
Andrea Kinsky
Clay Cullen
Stunt Driver:
Gerald Paetz
Stunts:
Lesley Aletter
Doug Chapman
Crystal Dalman
Cheyenne Ellis
Krista Bell
Ashlea Earl
Rikki Gagne
Laura Lee Connery
Lauro David Chartrand-DelValle
Casey O'Neill
Supervising Sound Editor:
Tom Bellfort
Systems Administrators & Support:
Lap Van Luu
Danny Torres
Third Assistant Director:
Adrian Diepold
Title Designer:
Nina Saxon
Transportation Captain:
Mark Brown
Transportation Co-Captain:
David Weston
Transportation Coordinator:
William Ballard
Truck Costumer:
Clare McLaren
Unit Production Manager:
Justis Greene
Utility Stunts:
Robert Alonzo
Video Assist Operator:
David Joshi
Visual Effects:
Steve Dellerson
Visual Effects Art Director:
Peter Lloyd
Visual Effects Coordinator:
Marie-Claude Aubry
Visual Effects Editor:
David Legault
Visual Effects Producer:
Janet Muswell
Visual Effects Supervisor:
Thierry Delattre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.