A work in constant progress (and occasional regress).
Release Date:
November 12, 2015
Original Title:
Concussion
Alternate Titles:
Commotion
Concussion
Concussion: किक इन द ब्रेन
Game Brain
La Verdad Oculta
La verdad duele
Zona d'ombra - Una scomoda verità
Скритата истина
कनकशन
Genres:
Drama
Production Companies:
Cara Films
Columbia Pictures
LStar Capital
Scott Free Productions
The Cantillon Company
The Shuman Company
Village Roadshow Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 DE: 12 DK: 7 ES: 7 FR: U GB: 12 HK: IIA HU: 16 IE: 12 IT: T JP: R18+ NL: 12 PL: 16 PT: M/12 RO: 18 RU: 16+ SE: 11 TW: 輔12 US: PG-13
Runtime: 123
A dramatic thriller based on the incredible true David vs. Goliath story of American immigrant Dr. Bennet Omalu, the brilliant forensic neuropathologist who made the first discovery of CTE, a football-related brain trauma, in a pro player and fought for the truth to be known. Omalu's emotional quest puts him at dangerous odds with one of the most powerful institutions in the world.
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Art Department Coordinator:
Jenn Albaugh
Art Direction:
Tom Frohling
Assistant Art Director:
Christina Myal
Assistant Costume Designer:
Stacy Caballero
Camera Operator:
John S. Moyer
Casting:
Lindsay Graham Ahanonu
Mary Vernieu
Casting Associate:
Marisol Roncali
Linda Weaver
Co-Producer:
Amal Baggar
Colorist:
Doug Delaney
Construction Coordinator:
Buster Pile
Costume Design:
Dayna Pink
Costume Supervisor:
Dana Kay Hart
Dialogue Editor:
Robert Troy
Michelle Pazer
Digital Intermediate:
David Alonzo
Morning Star Schott
Director:
Peter Landesman
Director of Photography:
Salvatore Totino
Editor:
William Goldenberg
Executive Producer:
David Crockett
Michael Schaefer
Greg Basser
Bruce Berman
Ben Waisbren
First Assistant Camera:
Peter Geraghty
Brian Greenway
First Assistant Editor:
Andrew S. Eisen
Foley:
Rick Owens
Gary A. Hecker
Gaffer:
Jay Kemp
Greensman:
Michael Dolhi
Hair Department Head:
Kathrine Gordon
Hairstylist:
Pierce Austin
Helicopter Camera:
Dylan Goss
Key Hair Stylist:
Sherri Bramlett
Leadman:
Antonio Andraus
Justin Pelissero
Makeup Artist:
Judy Murdock
Marianne Skiba
Makeup Department Head:
Jacenda Burkett
Makeup Effects:
Chris Gallaher
Tami Lane
Original Music Composer:
James Newton Howard
Producer:
Ridley Scott
Elizabeth Cantillon
Larry Shuman
Giannina Facio-Scott
David Wolthoff
Production Design:
David Crank
Property Master:
Matthew Cavaliero
Rigging Gaffer:
Steve Cohagan
Script Supervisor:
Tracy Scott
Megan Graham
Seamstress:
Kari Kramer
Set Costumer:
Yen Do
Set Decoration:
James V. Kent
Sound Designer:
David Esparza
Sound Effects Editor:
Ando Johnson
Sound Re-Recording Mixer:
Christian P. Minkler
Michael Minkler
Special Effects Coordinator:
Ray Bivins
Still Photographer:
Melinda Sue Gordon
Supervising Sound Editor:
Dave McMoyler
Visual Effects Producer:
Michelle Eisenreich
Michele C. Vallillo
Visual Effects Supervisor:
Jamie Dixon
Michael Ford
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.