A work in constant progress (and occasional regress).
Release Date:
December 14, 1992
Original Title:
Love Can Be Murder
Alternate Titles:
La belle et le fantôme
Genres:
Comedy | Fantasy | Mystery | TV Movie
Production Companies:
Konigsberg/Sanitsky Company
NBC
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 86
Elizabeth Bentley is a successful lawyer who suddenly has some "punkish" daydreams of being "Rambo" right around the time her clueless boyfriend Brad asks her to marry him. After a therapy session, she quits her job to the surprise of her family and Brad, and goes into the detective business, opening her own private-eye office. Unfortunately, the ghost of the private-eye who owned the office still lingers and Elizabeth's the only one who can see or hear him. At first, she becomes an unwilling partner in Nick Peyton's unfinished investigation, but then she finds herself falling for the salty, but dead, guy.
Casting:
Darlene Kaplan
Co-Executive Producer:
Rob Gilmer
Director:
Jack Bender
Director of Photography:
Paul Murphy
Editor:
Tod Feuerman
Executive Producer:
Larry Sanitsky
Frank Konigsberg
Hairstylist:
Jetty Stutzman
Key Hair Stylist:
Terri Hoyos
Key Makeup Artist:
Melanie Hughes
Makeup Artist:
Jetty Stutzman
Music:
Steven Bramson
Producer:
Jayne Bieber
Production Design:
Stephen Storer
Set Decoration:
Kristen McGary
Stunt Coordinator:
Jon Conrad Pochron
Supervising Sound Editor:
David Hankins
Writer:
Rob Gilmer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.