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Year of the Gun (1991) [N/A]

Release Date:
September 10, 1991

Original Title:
Year of the Gun

Alternate Titles:
Brigadas Vermelhas
El año de las armas
L'anno del terrore
O Ano da Fúria
Verliebt in die Gefahr
Year of the Gun - Im Visier des Terrors
Year of the Gun - L'année de plomb

Genres:
Action | Romance | Thriller

Production Companies:
Initial Films
J&M Entertainment
Shomedia

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  FR: U 

Runtime: 111

In a city bathed in blood… who can you trust?

Overview from TheMovieDB

American novelist David Raybourne accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend must struggle to stay alive.

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Trailer

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Performers

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Production

ADR Mixer:
Robert Deschaine

ADR Recordist:
David Jobe

ADR Voice Casting:
Barbara Harris

Art Direction:
Luigi Quintili

Assistant Camera:
Roberto Gengarelli
Fabio Lanciotti
Bernard De Vries
Maurizio Serafini

Assistant Costume Designer:
Ingrid Mignone

Assistant Editor:
Rebecca Nicolaou
Sheila MacDowell

Assistant Sound Editor:
Robert L. Sephton
Patrick Paul Mullane
Britton E. Taylor

Boom Operator:
Pascal D'Hueppe

Camera Operator:
David Crone
Carlo Passari

Casting:
Francesco Cinieri
Louis DiGiaimo

Chief Lighting Technician:
Neno Brescini

Color Timer:
Phil Hetos

Costume Design:
Ray Summers

Craft Service:
Giovanni Longo

Director:
John Frankenheimer

Director of Photography:
Blasco Giurato

Draughtsman:
Giulia Chiara Crugnola

Editor:
Lee Percy

Executive In Charge Of Production:
Alfred Pariser

Executive Producer:
Eric Fellner

First Assistant Director:
Tony Brandt

Foley Artist:
John Post
Paul Heslin

Foley Mixer:
Robert Deschaine

Foley Recordist:
David Jobe

Grip:
Vittorio D'Ammassa
Sergio Conti
Doriano Torriero

Hairstylist:
Aldo Signoretti
Marina Marin

Key Grip:
Giuseppe Petrignani

Key Makeup Artist:
Mario Michisanti

Lighting Technician:
Giuseppe Sgarra
Francesco Brescini

Line Producer:
Robert L. Rosen

Location Manager:
Fabiomassimo Dell'Orco

Makeup Artist:
Maurizio Fazzini
Vincenzo Mastrantonio
Mario Michisanti

Music Editor:
Steve Livingston
Ken Johnson
Chris McGeary

Negative Cutter:
Gary Burritt

Novel:
Michael Mewshaw

Orchestrator:
Jack Eskew

Original Music Composer:
Bill Conti

Payroll Accountant:
Franco Penna

Post Production Supervisor:
Gregory A. Gale

Producer:
Edward R. Pressman

Production Coordinator:
Judith Goodman

Production Design:
Aurelio Crugnola

Production Secretary:
Cecilia Alvarenga

Property Master:
Elio Altamura

Props:
Alessandro Tempera

Screenplay:
David Ambrose

Script Supervisor:
Rachel Griffiths

Seamstress:
Simona Mattei
Franca Paoletti

Second Assistant Director:
Francesca Fuschini
Giandomenico Trillo

Set Decoration:
Franco Fumagalli

Set Dresser:
Emilia Burchiellaro
Roberto De Simoni
Massimiliano Paonessa
Valerio Musy

Sound Editor:
Karola Storr
Donlee Jorgensen
Paul Heslin

Sound Mixer:
Bernard Bats

Sound Re-Recording Mixer:
John Wilkinson
Matthew Iadarola
Grover B. Helsley

Sound Recordist:
Bernard Bats
Brion Paccassi

Special Effects:
Grant Burdette

Still Photographer:
Paul Ronald

Stunt Coordinator:
Franco Maria Salamon

Stunts:
Paolo Susani
Stefano Corsi
Franco Beltramme
Fabiola Tocca
Benito Pacifico
Gino Marturano
Claudio Pacifico
Alessandro Ponti
Marco Stefanelli
Massimiliano Ubaldi
Gianluca Petrazzi
Emiliano Novelli
Mario Novelli
Emilia Castiglionesi
Manrico Vendetti
Enzo Maggio
Rocco Russo
Francesco Petrazzi
Claudio Zucchet
Miso Angelo Marturano
Omero Capanna
Lorenzo Saraceno
Sergio Smacchi
Franco Moruzzi
Riccardo Mioni
Danilo Recanatesi
Giovanni Cianfriglia
Ivano Silveri
Stefano Maria Mioni
Giovanna Ciacchi

Supervising Sound Editor:
Mike Le Mare

Unit Production Manager:
Laura Fattori

Unit Publicist:
Eugene Rizzo

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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