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The Beguiled (1971) [R]

Release Date:
January 23, 1971

Original Title:
The Beguiled

Alternate Titles:
El seductor
En mand syv kvinder
Korpral McB – anmäld saknad
La notte brava del soldato Jonathan
Les proies

Genres:
Drama | Thriller | War

Production Companies:
Malpaso Productions
Universal Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  IE: 15  NL: 12  PL: 16  US: R 

Runtime: 105

One man... seven women... in a strange house!

Overview from TheMovieDB

Offbeat Civil War drama in which a wounded Yankee soldier, after finding refuge in an isolated girls' school in the South towards the end of the war, becomes the object of the young women's sexual fantasies. The soldier manipulates the situation for his own gratification, but when he refuses to completely comply with the girls' wishes, they make it very difficult for him to leave.

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Performers

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Production

Art Direction:
Alexander Golitzen

Assistant Director:
Burt Astor
Brad H. Aronson

Assistant Director Trainee:
William A. Morrison

Associate Producer:
Claude Traverse

Casting:
Robert J. LaSanka

Costume Design:
Helen Colvig

Director:
Don Siegel

Director of Photography:
Bruce Surtees

Editor:
Carl Pingitore

Executive Producer:
Jennings Lang
Clint Eastwood
Julian Blaustein

Hairstylist:
Larry Germain
Kathryn Blondell
Gae Clark Butler
Kaye Pownall

Makeup Artist:
Bud Westmore
Michael Germain
Frank Westmore
Marvin G. Westmore

Novel:
Thomas Cullinan

Original Music Composer:
Lalo Schifrin

Producer:
Don Siegel

Production Design:
Ted Haworth

Production Manager:
Burt Astor

Props:
Julius Rosenkrantz

Screenplay:
Albert Maltz
Irene Kamp

Script Supervisor:
Ray Quiroz

Second Unit Director:
Joseph C. Cavalier

Set Decoration:
John P. Austin

Sound:
John L. Mack
Waldon O. Watson

Sound Recordist:
William Griffith

Special Effects:
Jack DeBron

Stunt Coordinator:
Buddy Van Horn

Stunt Double:
Buddy Van Horn

Unit Production Manager:
Joseph C. Cavalier

Writer:
Claude Traverse

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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