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Charity (2016) [N/A]

Release Date:
January 27, 2016

Original Title:
La caridad

Production Companies:
CTT Expendables and Rentals
Eficine 226
LATAM PICTURES
ÍTACA INDEPENDENT

Production Countries:
Mexico

Ratings / Certifications:
 N/A

Overview from TheMovieDB

Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.

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Additional information:

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Performers

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Production

Art Department Assistant:
Ángel Velázquez
Aldo Lencina
Belén Estrada

Assistant Director:
Emilio Santoyo
Valeria Ariñez

Associate Producer:
Emilio Santoyo
Yadira Orozco
Paula Astorga

Boom Operator:
Juan Carlos López

Camera Intern:
Eduardo Flores

Casting:
Raúl Simancas

Casting Associate:
Joanna Larequi

Chef:
Josefina Hernández
José Luis Ruiz Rodríguez

Cinematography:
Rodrigo Sandoval

Color Timer:
Max Allen León

Compositors:
Rodrigo de Gante

Consulting Producer:
Carlos Manzo

Costume Design:
Gabriela Tapia

Costume Supervisor:
Alexia Uribe

Director:
Marcelino Islas Hernández

Driver:
Christian Alexis Ángel Chávez
Ruben Saucedo
Rodolfo Díaz González
Francisco Ariel Holguín
Rene Téllez Vázquez
Jorge Alberto López González
Jesús Reyes Luna

Editor:
Óscar Figueroa
Marcelino Islas Hernández

Editorial Production Assistant:
Melanie Haslam

Executive Producer:
Andrés Tagliavini
Joceline Hernández
Raúl Simancas

First Assistant Camera:
Rodrigo Calderón

Foley:
Bechen Loredo
José E. Caldararo

Gaffer:
Enrique González

Hairstylist:
Sandra Cuéllar

Information Systems Manager:
Gerardo Rodríguez

Lead Painter:
Samantha Salinas

Legal Services:
Raúl del Alto

Lighting Production Assistant:
Alberto Domínguez

Line Producer:
Gabriela Remirez de Estenoz

Location Manager:
Luis Carlos Pichardo

Makeup Department Head:
César Perlop
Pamela Segura

Makeup Designer:
César Perlop

Mix Technician:
Marco Peña

Mixing Engineer:
Rita García Salas

Music:
Amado López

Music Editor:
Lynn Fainchtein

Post Production Assistant:
Manuel Rey Gonzalez
Melanie Haslam

Post Production Supervisor:
Claudia Mera
Carlos Morales
Perla Carpio
Vanessa Hernández

Post-Production Manager:
Alberto Coria

Producer:
Marcelino Islas Hernández
Santiago Garcia Galvan
Gabriela Maire
Alex García

Production Accountant:
Elsa Hermoso
Héctor Bautista Godoy

Production Design:
Shantal Franceschi

Production Manager:
Mariana Aceves
JJ Rodríguez

Production Office Coordinator:
Roberto Carrera

Public Relations:
José Felipe Gaytán

Screenplay:
Marcelino Islas Hernández

Script:
Brenda Gómez Magaña

Script Coordinator:
Gabriela Vidal

Security:
Erick Nava

Sequence Supervisor:
Brenda Gómez Magaña

Set Production Assistant:
Martha Naranjo Sandoval
José Francisco García

Sound Designer:
Alejandro de Icaza

Sound Editor:
Enrique Fernández Tanco
Jaime Juárez
Gerardo Trigueros

Sound Mixer:
Juan Carlos López
Alejandro de Icaza

Sound Montage Associate:
Juan Delgado

Sound Re-Recording Mixer:
Bruno Gutiérrez

Sound Recordist:
Jorge Juárez Horta

Steadycam:
Manuel Huitrón

Still Photographer:
Mariel Cortés

Translator:
Carmen Govea

Transportation Coordinator:
Víctor Hurtado

Unit Manager:
Oliver Meraz

Unit Production Manager:
Cristobal Esquibias

Utility Stunts:
Alettia Molina

Visual Effects Art Director:
Raúl Prado

Visual Effects Coordinator:
Yadira Velásquez

Visual Effects Producer:
Alejandra García

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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