A work in constant progress (and occasional regress).
Release Date:
August 14, 1982
Original Title:
Piranha II: The Spawning
Alternate Titles:
Pirana Paura
Piranha 2: Flying Killers
Piranha 2: The Spawning
Piranha Part Two: The Spawning
Piraña 2: Los vampiros del mar
Pirañas: El Regreso
The Spawning
食人鱼2:繁殖
Genres:
Horror
Production Companies:
Brouwersgracht Investments
Chako Film Company
Columbia Pictures
Production Countries:
Italy | Netherlands | United States of America
Ratings / Certifications:
DE: 16 ES: 16 IE: 18 IT: T JP: R18+ US: R
Runtime: 84
A scuba diving instructor, her biochemist boyfriend, and her police chief ex-husband try to link a series of bizarre deaths to a mutant strain of piranha fish whose lair is a sunken freighter ship off a Caribbean island resort.
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Art Direction:
Vincenzo Medusa
Stefano Paltrinieri
Franco Vanorio
Assistant Director:
Ruggero Salvadori
Alessandro Vivarelli
Assistant Editor:
Ada Grimaldi
Boom Operator:
Roberto Edwin Forrest
Camera Operator:
Carlo Tafani
Cinematography:
Roberto D'Ettorre Piazzoli
Costume Design:
Nicoletta Ercole
Director:
James Cameron
Director of Photography:
Roberto D'Ettorre Piazzoli
Editor:
Roberto Silvi
Electrician:
Gino Pasquallini
Executive Producer:
Ovidio G. Assonitis
Greensman:
Ronnie Lombard
Hairstylist:
Mirella De Rossi
Key Grip:
Ennio Brizzolari
Makeup Artist:
Maurizio Trani
Original Music Composer:
Stelvio Cipriani
Producer:
Jeff Schechtman
Hisako Tsukuba
Property Master:
Stephane Goulet
Screenplay:
James Cameron
Ovidio G. Assonitis
Charles H. Eglee
Sound Editor:
Alessandro Peticca
Special Effects Supervisor:
Giannetto De Rossi
Still Photographer:
Gianni Caramanico
Underwater Camera:
Roberto Forges Davanzati
Erich Heindl
Underwater Director of Photography:
Roberto D'Ettorre Piazzoli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.