Ave Maria (1936) [N/A]

Featuring:
Beniamino Gigli, Käthe von Nagy, Harald Paulsen

Written by:
Georg C. Klaren

Directed by:
Johannes Riemann


Release Date:
January 4, 1936

Original Title:
Ave Maria

Genres:
Drama

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 85

Ave Maria was the second film-starring vehicle for legendary operatic tenor Beniamino Gigli. Mourning the loss of the only woman he ever loved, concert singer Tino Dossi (Gigli) is temporarily shaken from his doldrums by vivacious Montmartre entertainer Claudette (Kaethe Von Nagy). Dossi doesn't realize that Claudette is merely using him to advance her own singing career. Ultimately won over by Dossi's sincerity and courtesy, Claudette falls in love with him for real, only to suffer the pangs of conscience as a result. About to kill herself, she decides instead to return to Dossi's arms, vowing never to confess her original mercenary intentions.

An opera singer has had one great love in his life, that for a devoted french-girl who died. He comes to Paris for his annual visit to her grave on the anniversary of her death, but is forced to go through with a concert his manager had arranged without his knowledge. The manager visits a shady night club and, while intoxicated, drops information to a hard-boiled entertainer and her gigolo of the singers' great sorrow and wealth. The wealth part impresses the pair. The girl meets and accompanies the singer to Naples, after playing on his sympathies with lies and deception. The singer and the girl announce their engagement, but he discovers her duplicity and she, now genuinely in love with him, flees the consequences. She is injured in an automobile accident and the singer, having learned of her repentance and true affectation for him, takes her for his bride.

Additional information:

The Search Form


Rankings and Honors

Ave Maria (1936) on IMDb
Internet Movie Database 7.1/10
Awards Won: 1 win & 1 nomination

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.