A work in constant progress (and occasional regress).
Release Date:
March 15, 2015
Original Title:
劇場版 境界の彼方 -I'll Be Here- 過去篇
Alternate Titles:
Beyond the Boundary - I’ll Be Here - Die Vergangenheit
Kyoukai no Kanata I'll Be Here Kako Hen
Kyoukai no Kanata Movie: I'll Be Here - Kako-hen
劇場版 境界の彼方 I'LL BE HERE 過去篇
境界的彼方 -I'LL BE HERE- 過去篇
Genres:
Action | Animation | Comedy | Drama | Fantasy
Production Companies:
Kyoto Animation
Production Countries:
Japan
Ratings / Certifications:
AU: M
Runtime: 82
It all began quite suddenly. Akihito, who appears human but is actually half yomu with the power to quickly heal himself, sees a freshman girl who appears ready to jump from the school rooftop. The girl, Mirai, who has the ability to manipulate blood, which is unique even among members of the spirit world, continues to fight her isolation. Akihito decides at that moment to save Mirai, but disturbing events soon begin to unfold.
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Animation Director:
Miku Kadowaki
Chiyoko Ueno
Nobuaki Maruki
Art Designer:
Hiroyuki Takahashi
Seiichi Akitake
Art Direction:
Mikiko Watanabe
Character Designer:
Tomoyo Kamoi
Director:
Taichi Ishidate
Director of Photography:
Ryuuta Nakagami
Editor:
Kengo Shigemura
Executive Producer:
Yoko Hatta
Yoko Kogawa
Shunji Inoue
Yoshihisa Nakayama
Music Producer:
Shigeru Saito
Novel:
Nagomu Torii
Original Music Composer:
Masumi Itou
Producer:
Eharu Ohashi
Shinichi Nakamura
Shigeru Saito
Gou Tanaka
Screenplay:
Jukki Hanada
Second Unit Director:
Taichi Ishidate
Ai Yukimura
Sound Director:
Yota Tsuruoka
Sound Effects:
Hiromune Kurahashi
Sound Recordist:
Satoshi Yano
Special Effects:
Rina Miura
Shizuka Uno
Storyboard Artist:
Taichi Ishidate
Supervising Animation Director:
Miku Kadowaki
Futoshi Nishiya
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.