A work in constant progress (and occasional regress).
Release Date:
September 13, 2001
Original Title:
The Business of Strangers
Alternate Titles:
La compagnie des autres
Oscuros negocios
Genres:
Drama | Thriller
Production Companies:
Headquarters
Metro-Goldwyn-Mayer
i5 Films
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 84
A dark thriller about a successful businesswoman and her young assistant who toy with a slow-witted businessman while stuck at an airport hotel.
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"B" Camera Operator:
Edward Read
ADR Editor:
Jac Rubenstein
ADR Engineer:
Jason Kaplan
Additional Casting:
Todd M. Thaler
Additional Gaffer:
Edward Read
Additional Wardrobe Assistant:
Maria Schoenherr
Karyn Larkin
Casey Court
Art Department Coordinator:
Charlotte Newman
Art Direction:
Richard Burgess
Assistant Accountant:
Marty Shea
Assistant Editor:
David A. Smith
Assistant Location Manager:
Steve Curley
Assistant Makeup Artist:
Francesca Buccellato
Maya Hardinge
Assistant Property Master:
Sherief Elkatsha
Assistant Sound Editor:
Larry Wineland
Bill Orrico
Associate Producer:
Ramsey Fong
Best Boy Electric:
Marc Labbate
Best Boy Grip:
Ed Mattson
Boom Operator:
Anguibe Guindo
Camera Loader:
Anka Malatynska
Matthew D. Canton
Camera Operator:
Radium Cheung
Carpenter:
Robert Mansmann
Peter Ruen
David Evjen
Justin Davis
Matthew Demek
Casting:
Nicole Arbusto
Joy Dickson
Color Timer:
Dave Pultz
Costume Design:
Kasia Walicka Maimone
Dawn Weisberg
Dialogue Editor:
Jac Rubenstein
Director:
Patrick Stettner
Director of Photography:
Teodoro Maniaci
Dolby Consultant:
James Ziegler
Editor:
Keiko Deguchi
Electrician:
Steve Becker
Executive Producer:
David Siegel
Scott McGehee
Extras Casting:
Jeremy Rich
First Assistant Camera:
Sylvain D'Hautcourt
First Assistant Director:
Cecily Kaston
Foley Artist:
Marko Costanzo
Foley Editor:
Frank Kern
Foley Recordist:
George A. Lara
Gaffer:
Scott Levy
Grip:
Craig Striano
Timothy Reilly
Hair Assistant:
Francesca Buccellato
Maya Hardinge
Jimmy Jib Operator:
Guillaume Renberg
Key Grip:
Brian McKee
Key Hair Stylist:
Sasha Cummins
Key Makeup Artist:
Mia Thoen
Key Set Production Assistant:
David “Skip” Glew
April Taylor
Line Producer:
Derrick Tseng
Location Assistant:
Nathan Sylvester
Location Manager:
Demian Resnick
Location Scout:
Lauren D’Alvia
Peter Bobrow
Joe Guest
Ian MacGregor
Music Consultant:
Alex Steyermark
Linda Cohen
Music Editor:
Jac Rubenstein
Music Producer:
Andy Solomon
Michelle King
Negative Cutter:
Stan Sztaba
Online Editor:
Jennifer Ruff
Jedd Ehrmann
Original Music Composer:
Alex Lasarenko
Post Production Supervisor:
Ramsey Fong
Producer:
Robert H. Nathan
Susan A. Stover
Production Accountant:
Marlus Harding
Production Design:
Dina Goldman-Kunin
Production Manager:
Sophia Lin
Production Sound Mixer:
Noah Timan
Projection:
Norberto Valle
Property Master:
Brooke Bramley
Scenic Artist:
Maus Drechsler
Joseph Nerone
Score Engineer:
Eric Perlmutter
Script Supervisor:
Janna DeLury
Second Assistant Camera:
Dwight Tudor
Second Assistant Director:
Peter Thorell
Second Second Assistant Director:
Michael A. Moffa
Set Decoration:
Tora Peterson
Set Dresser:
Lisa Schilling
Rob Marsteller
Maus Drechsler
Joe Wright
Set Production Assistant:
Derek Wimble
Hunter Thompson
Patrick Floyd
Tom Self
Dave Ginsberg
Tobias Core
Jan Luc Van Damme
Sound Re-Recording Mixer:
Skip Lievsay
Sound Recordist:
Jesse Ehredt
Steadicam Operator:
Will Arnot
Still Photographer:
JoJo Whilden
Storyboard Artist:
Hoge Day
Stunt Coordinator:
Manny Siverio
Supervising Sound Editor:
Eugene Gearty
Swing:
Dan Schweiger
Title Designer:
Jennifer Cossetto
Wardrobe Supervisor:
Danita Knight
Writer:
Patrick Stettner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.