A work in constant progress (and occasional regress).
Release Date:
January 1, 2014
Original Title:
Til Death Do Us Part
Alternate Titles:
爱到杀死你
Genres:
TV Movie | Thriller
Production Companies:
Daro Film Distribution
Odyssey Media
Production Countries:
Canada
Ratings / Certifications:
CA: 14A
Runtime: 85
A woman investigates the past of her seemingly ideal husband, a doctor who starts to become increasingly hostile.
Best Boy Electric:
Kelvin Shi Heng Wong
Boom Operator:
Emmet Falconer
Jordan Sy
Camera Operator:
George Campbell
Rob Crone
Dale H. Jahraus
Casting:
Kara Eide
Shana Landsburg
Kris Woznesensky
Costume Design:
Claudia Da Ponte
Dialogue Editor:
Matt Dawson
Aaron Olson
Director:
Farhad Mann
Director of Photography:
Mahlon Todd Williams
Dolly Grip:
Corey Tremblay
Editor:
Sabrina Pitre
Executive Producer:
James M. Vernon
Devi Singh
Keith Shaw
Pierre-Andre Rochat
First Assistant Director:
Sirish Harman
First Assistant Editor:
Steve Bowyer
Gaffer:
Michael Martell
Hairstylist:
Liz Smith
Key Grip:
Andres Nino
Key Hair Stylist:
Deja Marie Iannone
Key Makeup Artist:
Kathy Howatt
Line Producer:
Matt Drake
Original Music Composer:
Michael Neilson
Producer:
Kirk Shaw
Production Coordinator:
Amanda Verhagen
Production Design:
Tony Devenyi
Property Master:
Lewis Wu
Script Consultant:
Julia Holdway
Script Supervisor:
Suze Dunbar
Set Decoration:
Dawn Grey
Jacqueline Miller
Sound Designer:
Craig George
Sound Effects Editor:
Don Mann
Special Effects Coordinator:
Lewis Wu
Still Photographer:
Chris Helcermanas-Benge
Story Editor:
Roslyn Muir
Supervising Sound Editor:
Gregor Phillips
Writer:
Gayl Decoursey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.