A work in constant progress (and occasional regress).
Release Date:
May 11, 2002
Original Title:
Scenes of the Crime
Alternate Titles:
Escenas de un crimen
Genres:
Action | Drama | Thriller
Production Companies:
Battleplan Productions
Cinerenta
Production Countries:
Germany | United States of America
Ratings / Certifications:
GR: 16 JP: R18+
Runtime: 91
A young man about to get married earns extra cash by driving a local mobster, but things go awry when the mobster is shot dead by a rival crime boss.
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ADR Mixer:
Christina Tucker
Assistant Chief Lighting Technician:
Ralph Barone
Assistant Editor:
Keith Henderson
Assistant Production Coordinator:
Nancy Honeycutt
Assistant Property Master:
Michael Cutler
Assistant Sound Editor:
Jamie Hardt
Greg ten Bosch
Best Boy Grip:
Shawn Whelan
Boom Operator:
William Munroe
Camera Operator:
Stephen J. Ullman
Ralph Mendoza
Casting:
Mary Jo Slater
Steve Brooksbank
Casting Associate:
Beth Blanks
Chief Lighting Technician:
Tommy Barone
Co-Producer:
James Spies
Bonnie Weis
Color Timer:
Stephen R. Sheridan
Colorist:
John Sellars
Construction Coordinator:
Curtis Baruth
Roger L. King
Construction Foreman:
Wayne Lindholm
Costume Design:
Molly Maginnis
Director:
Dominique Forma
Director of Photography:
James R. Bagdonas
Dolly Grip:
Desi R. Jojola Sr.
Editor:
Sidney Levin
Electrician:
Chris Franco
Michael M. Mosley
Dennis E. Shelton
Executive Producer:
Eberhard Kayser
Mario Ohoven
First Assistant "A" Camera:
Mark Santoni
First Assistant "B" Camera:
John Stradling
First Assistant Director:
David Allen Cluck
First Assistant Editor:
William Marrinson
Hair Department Head:
Dino Ganziano
Hair Designer:
Susan Germaine
Key Costumer:
Javier Arrieta
Key Grip:
Lloyd Barcroft
Key Makeup Artist:
James R. Scribner
Leadman:
Tom MacLear
Makeup Department Head:
John M. Elliott Jr.
Music Editor:
Jeanette Surga
Original Music Composer:
Christopher Young
Producer:
Willi Bär
Rod Lurie
Marc Frydman
Deborah Lee
Production Accountant:
Dianne Mapp-Cheek
Production Coordinator:
Brita Holmberg
Production Design:
Jeff Knipp
Production Supervisor:
Sherry Marshall
Property Master:
Deana Albers
Publicist:
Robin Mayemura
Rigging Gaffer:
Joly Erickson
Script Supervisor:
Mary Ann Newfield
Second Assistant "B" Camera:
Julie Helton
Second Assistant Camera:
Scott Ronnow
Second Assistant Director:
Sean Whitler
Jodi Lowry
Jay Ostrowski
Set Decoration:
Kathe Klopp
Set Dresser:
Walsh Carvalho
Sound Editor:
Jon Mete
Kira Roessler
Fred Judkins
Dale Brown
Stewart Nelsen
Dana Gustafson
Sound Effects Editor:
Martin Lopez
Sound Mixer:
Ed Novick
Sound Re-Recording Mixer:
Samuel Lehmer
Jeffrey Perkins
Sound Recordist:
Christopher Sidor
Special Effects Coordinator:
Matt Sweeney
Matt Sweeney
Steadicam Operator:
Mark La Bonge
Still Photographer:
Patti Arpaia
Stunt Coordinator:
Gary Jensen
Stunt Double:
Peter Epstein
Ethan Jensen
Billy Judkins
Joe Witherell
Danny Downey
Vince Deadrick Jr.
Stunts:
Loyd Catlett
Supervising ADR Editor:
Dean Beville
Supervising Sound Editor:
Stephen Hunter Flick
Unit Production Manager:
Bonnie Weis
Utility Stunts:
Bob McGovern
Lincoln Simonds
Bob Pennetta
Visual Effects Coordinator:
Marcus Tate
Wardrobe Supervisor:
Elaine Ramires
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.