Home

Welcome to the Rileys (2010) [R]

Release Date:
October 29, 2010

Original Title:
Welcome to the Rileys

Alternate Titles:
Willkomen bei den Rileys

Genres:
Drama

Production Companies:
Argonaut Pictures
Destination Films
Samuel Goldwyn Films
Scott Free Productions

Production Countries:
United States of America

Ratings / Certifications:
AU: MA 15+  BR: 16  DE: 16  IE: 15  NL: 12  PT: M/12  US: R 

Runtime: 110

Overview from TheMovieDB

Years after their teenage daughter’s death, Lois and Doug Riley, an upstanding Indiana couple, are frozen by estranging grief. Doug escapes to New Orleans on a business trip. Compelled by urgencies he doesn’t understand, he insinuates himself into the life of an underage hooker, becoming her platonic guardian.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Christopher Eakins

ADR Mixer:
Travis MacKay

ADR Recordist:
Wade Barnett

ADR Supervisor:
Robert Jackson

ADR Voice Casting:
Barbara Harris

Art Department Coordinator:
Elizabeth Herberg

Assistant Costume Designer:
Delphine Tandonnet

Assistant Production Coordinator:
Arvid Cristina

Assistant Property Master:
Beau Harrison

Assistant Sound Editor:
Callie Thurman

Best Boy Electric:
Erskin Mitchell

Best Boy Grip:
Lee McLemore

Boom Operator:
Scott Edelson

Casting:
Elizabeth Coulon
Avy Kaufman

Co-Producer:
Garrett Basch
Malcolm Reeve

Construction Coordinator:
Donald Miles

Costume Design:
Kim Bowen

Costume Supervisor:
Kim Martínez

Director:
Jake Scott

Director of Photography:
Christopher Soos

Dolly Grip:
Buddy Carr

Editor:
Nicolas Gaster

Executive Producer:
Ridley Scott
Tony Scott
Steven Zaillian
Ken Hixon
Manny Mashouf

Extras Casting:
Elizabeth Coulon

First Assistant "A" Camera:
Michael Charbonnet

First Assistant Director:
Jesse Nye

First Assistant Editor:
Kathleen Latlip

Foley Artist:
Doug Reed
James Bailey

Foley Editor:
Goeun Lee Everett

Foley Mixer:
Geordy Sincavage

Gaffer:
Mike McLaughlin

Hair Department Head:
Paul Anthony Morris

Key Costumer:
Christy Hebert

Key Grip:
Gilly Charbonnet

Key Hair Stylist:
Amy Wood

Key Makeup Artist:
Eden Orfanos

Leadman:
Danny Nick

Line Producer:
Bergen Swanson

Location Manager:
Dana A. Hanby

Makeup Department Head:
Robin Mathews

Music Coordinator:
Jim Dunbar

Music Editor:
Del Spiva
Matt Fausak

Music Supervisor:
Randall Poster

Original Music Composer:
Marc Streitenfeld

Producer:
Giovanni Agnelli
Scott Bloom
Michael Costigan

Production Accountant:
Kelley Baker

Production Coordinator:
Ruth Kesler

Production Design:
Happy Massee

Production Executive:
Maresa Pullman

Production Secretary:
Rachael Meadow

Production Sound Mixer:
Noah Timan

Production Supervisor:
Danielle Blumstein

Property Master:
Leonard Marchand

Rigging Gaffer:
Larry Dorsey Jr.

Script Supervisor:
Tony Osso

Second Assistant "A" Camera:
Jonathan Robinson
David C. Edwards

Second Assistant Director:
Steve Lonano

Second Second Assistant Director:
Cali Pomes

Set Costumer:
Julie Ebel

Set Decoration:
Tim Cohn

Sound Re-Recording Mixer:
Leslie Shatz

Special Effects Coordinator:
Guy Clayton

Steadicam Operator:
Grayson Austin

Still Photographer:
Skip Bolen
Patti Perret

Stunt Coordinator:
Jeff Galpin

Stunt Double:
Terra Grant

Supervising Sound Editor:
Leslie Shatz
Javier Bennassar

Transportation Captain:
Jerry Everett

Transportation Co-Captain:
Oscar Austin

Transportation Coordinator:
Danny Mortenson

Unit Production Manager:
Bergen Swanson

Writer:
Ken Hixon

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.