Ticker (2001) [R]

Release Date:
June 23, 2001

Original Title:
Ticker

Alternate Titles:
Déclic
Explosion Imminente
Tiempo límite

Genres:
Action | Adventure | Crime | Thriller

Production Companies:
Nu Image

Production Countries:
United States of America

Ratings / Certifications:
AT: 16  DE: 16  RU: 16+  US: R 

Runtime: 92

When the countdown hits zero, you're dead

Ray Nettles, a detective of San Francisco, and his partner Fuzzy must take up to one of the most dangerous terrorist gangs of the city. When one of the terrorists, the beautiful scientist Claire Manning is arrested, Swan, the leader of the terrorists, claims he will detonate bombs throughout the city if she is not released. Because of the possible bloodshed, Nettles calls for the help of explosive expert Frank Glass...

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Associate Producer:
Rob Ladesich
Vincent Klyn

Co-Producer:
Christopher Trunkey

Costume Designer:
Tricia Gray

Director:
Albert Pyun

Director of Photography:
Philip Alan Waters

Editor:
Ken Morrisey
Cari Coughlin

Executive In Charge Of Production:
Gary Rubin

Executive Producer:
David Dadon
Avi Lerner
Boaz Davidson
Danny Dimbort
Trevor Short
Danny Lerner

First Assistant Director:
Sazzy Lee Calhoun

Hair Department Head:
Ginger Damon

Line Producer:
Michael Beugg

Makeup & Hair:
David Atherton

Music:
Serge Colbert

Producer:
Ken Aguado
Randall Emmett
George Furla
Albert Pyun
Paul Rosenblum

Production Supervisor:
Wendy Riseborough

Second Unit Director:
Jon H. Epstein

Set Decoration:
Teresa Visinare

Sound Designer:
Noah Blough

Sound Mixer:
Lee Howell

Sound Re-Recording Mixer:
Jerry Gilbert
Paul Ratajczak

Sound Supervisor:
Jeff Mar

Stunt Coordinator:
Jon H. Epstein

Visual Effects Supervisor:
James David Hattin

Writer:
Paul B. Margolis

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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