A work in constant progress (and occasional regress).
Release Date:
February 28, 1972
Original Title:
Tutti i colori del buio
Alternate Titles:
All the Colors of the Dark
All the Colours of the Dark
Day of the Maniac
Demons of the Dead
Die Farben der Nacht
Karanlığın Tüm Renkleri
L'alliance invisible
Strange Vice of Mrs. Ward No.2
Sve boje mraka
They're Coming to Get You
Todas as Cores da Escuridão
Todos los colores de la oscuridad
Toutes les couleurs du vice
Yılan Ruhlu Kadının Kâbusu
Genres:
Horror | Mystery | Thriller
Production Companies:
Astro C.C.
Lea Cinematografica
National Cinematografica
Production Countries:
Italy | Spain
Ratings / Certifications:
DE: 16 US: R
Runtime: 94
After a car accident that caused the loss of her baby, Jane experiences an increasing amount of nightmares that shake her to her core. After seeking professional help, her haunting visions turn into an even more frightening reality, one full of black magic, blood orgies, and murder.
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Art Direction:
José Luis Galicia
Jaime Pérez Cubero
Assistant Camera:
Adolfo Troiani
Assistant Costume Designer:
Silvio Laurenzi
Assistant Director:
Vittorio Caronia
Francisco Rodríguez
Assistant Editor:
Amedeo Moriani
Costume Design:
Giulia Mafai
Director:
Sergio Martino
Director of Photography:
Miguel Fernández Mila
Giancarlo Ferrando
Editor:
Eugenio Alabiso
Executive Producer:
Ricardo Sanz
Makeup Artist:
Giuseppe Ferranti
Original Music Composer:
Bruno Nicolai
Producer:
Mino Loy
Luciano Martino
Production Manager:
Fabio Diotallevi
Franco Fogagnolo
Florian Trenker
Screenplay:
Ernesto Gastaldi
Sauro Scavolini
Script Supervisor:
Mirella Malatesta
Set Designer:
Giorgio Bertolini
Sound Engineer:
Bruno Zanoli
Sound Mixer:
Bruno Moreal
Still Photographer:
Francesco Narducci
Story:
Santiago Moncada
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.