A work in constant progress (and occasional regress).
Release Date:
March 16, 1972
Original Title:
Nonostante le apparenze... e purchè la nazione non lo sappia... all'onorevole piacciono le donne
Alternate Titles:
A su excelencia le gustan las mujeres
All'onorevole piacciono le donne
Obsédé malgré lui
The Senator Likes Women
Genres:
Comedy
Production Companies:
Les Productions Jacques Roitfeld
New Film Production
Production Countries:
France | Italy
Ratings / Certifications:
ES: 18
Runtime: 109
Senator Pupis feels a strong and uncontrollable urge to grab women's bottoms, a habit than can lead to embarrassment, especially if the woman in question is head of another state and the occasion a state visit. In his desperation Pupis turns to the clergy for spiritual and psychological help.
Assistant Camera:
Enrico Lucidi
Sergio Melaranci
Alberto Serroni
Assistant Editor:
Gianfranco Amicucci
Franco Reitano
Assistant Makeup Artist:
Alfio Meniconi
Assistant Production Design:
Osvaldo Desideri
Boom Operator:
Claudio Belladonna
Camera Operator:
Giovanni Bergamini
Conductor:
José Mascolo
Costume Design:
Luciana Marinucci
Director:
Lucio Fulci
Director of Photography:
Sergio D'Offizi
Editor:
Vincenzo Tomassi
First Assistant Director:
Giorgio Gentili
Foley Artist:
Renato Marinelli
Hairstylist:
Mirella De Rossi
Line Producer:
Maurizio Amati
Makeup Artist:
Giannetto De Rossi
Original Music Composer:
Fred Bongusto
Producer:
Edmondo Amati
Production Design:
Nedo Azzini
Production Secretary:
Donato Bitetto
Screenplay:
Lucio Fulci
Sandro Continenza
Ottavio Jemma
Script Supervisor:
Rita Agostini
Sound:
Umberto Picistrelli
Sound Mixer:
Franco Bassi
Story:
Lucio Fulci
Sandro Continenza
Unit Manager:
Fabrizio De Angelis
Roberto Onorati
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.