A work in constant progress (and occasional regress).
Release Date:
January 15, 2009
Original Title:
Imago Mortis
Alternate Titles:
Изображение смерти
Genres:
Horror
Production Companies:
Film Commission Torino Piemonte
Medusa Film
MiC
Telecinco Cinema
pixstar
Production Countries:
Ireland | Italy | Spain
Ratings / Certifications:
ES: 18 GB: 18 IT: 14+ PT: M/18 US: R
Runtime: 96
They say that in 1600s, long before the invention of photography, a scientist named Fumagalli, was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing his eyeballs it was possible to reproduce on paper the last image imprinted on the person's retina. He named such tecnique "Thanatography". Today, the same kind of gruesome ritual and abominable crimes r
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Andrea Battistoni
ADR Recordist:
Vieri Martelli
ADR Supervisor:
Mark Hanna
Accountant:
Lucia Bugoloni
Maddalena Cicchetti
Bruno Di Bartolomei
Assistant Costume Designer:
Debora Pagano
Assistant Editor:
Gianni Vezzosi
Linda Taylor
Assistant Grip:
Francesco Saccani
Assistant Hairstylist:
Rodolfo Sifari
Assistant Makeup Artist:
Dalia Colli
Assistant Property Master:
Pietro Sabino Bracco
Assistant Set Decoration:
Emanuela Zappacosta
Assistant Set Designer:
Fabrizio Serralunga
Associate Producer:
Matteo Danese
Boom Operator:
Simone Carnesecchi
Business Affairs Coordinator:
Jan García
Luca Giammatteo
Jaime Ortiz de Artiñano
Carolina Perez Richard
Camera Loader:
Juli Molinaroli
Casting:
Michela Forbicioni
Carol Dudley
Toshihiko Fukuda
Miyako Shiba
Cinematography:
Arnaldo Catinari
Color Timer:
Elide Camberini
Compositor:
Mauro Maccari
Gabriella Petrella
Gianluca Salerno
Continuity:
Michela Bozzini
Costume Assistant:
Marzia Paparini
Costume Design:
Alessandra Torella
Crowd Assistant Director:
Gian Franco Cazzola
Stefano Prando
Dialogue Coach:
Steven Luotto
Scott Perry
Digital Intermediate:
Fabio Filoni
Director:
Stefano Bessoni
Driver:
Alberico Gatti
Pietro Marrocco
Stefano Pasqualini
Claudio Peccolo
Editor:
Raimondo Aiello
Electrician:
Mauro Belli
Fiore Beltrame
Antonio Marchese
Gino Stocchiero
Executive In Charge Of Production:
Marcello Paolillo
Film Processor:
Belén Atienza
First Assistant Camera:
Claudio Cofrancesco
First Assistant Director:
Giovanni Arcangeli
Foley Artist:
Italo Cameracanna
Gaffer:
Fabio Capozzi
General Manager:
Manuel Sánchez Ballesteros
Generator Operator:
Sergio Verdecchia
Grip:
Alessio Di Fazio
Andrea Italia
Antonio Petracca
Riccardo Ricci
Hair Supervisor:
Massimiliano Gelo
Key Grip:
Luciano Mastropietro
Legal Services:
Mónica Martinez
Jacobo Souviron
Line Producer:
Stefano Benappi
Location Manager:
Andrea Tavani
Makeup Artist:
Alessandro Bertolazzi
Music:
Zacarías M. de la Riva
Music Editor:
Irene Vinader
Music Producer:
Queti Pazos
Negative Cutter:
Galliano Scaramella
Orchestrator:
Zacarías M. de la Riva
Deyan Pavlov
Ivan Kojouharov
Dimitar Danchev
Elena Chouchkova
Original Music Composer:
Zacarías M. de la Riva
Painter:
Giovanna Centore
Post Producer:
Naiara Martínez de Marigorta
Post Production Coordinator:
Stefano Giovannini
Dario Di Vito
Post Production Supervisor:
John Cesaroni
Producer:
Sonia Raule
Javier Ugarte
Álvaro Augustin
Production Assistant:
Alfredo Ferrentino
Alessandra Linardi
Elisa Rigoni
Production Coordinator:
Patrizia Roletti
Production Design:
Briseide Siciliano
Production Manager:
Francesco Beltrame
Elena Manrique
Production Trainee:
Francesca Barbagallo
Props:
Andrea Gambacorta
Paolo Nanni
Mauro Nati
Massimo Papini
Recording Supervision:
Iordan Stoichkov
José Vinader
Pablo Mariano Picabea
Roberto Casula
Angelo Raguseo
Runner Art Department:
Gianni Pace
Scenic Artist:
Briseide Siciliano
Screenplay:
Marcello Paolillo
Giulia Blasi
Second Assistant Director:
Simona Cagnasso
Set Decoration:
Sabrina Coppolecchia
Set Designer:
Manuela Cammarata
Sound:
Nicola Rigitano
Alessandro Zanon
Sound Editor:
Marta Billingsley
Bruce Morrison
Valeria Marrale
Sound Effects Editor:
Paolo Amici
Daniele Quadroli
David Quadroli
Fabrizio Quadroli
Sound Mixer:
José Vinader
Sound Technical Supervisor:
Daniele Barlone
Special Effects:
Riccardo Andreotti
Giorgia Bono
Mauro Corradini
Leonardo Cruciano
Salvatore Napoletano
Massimo Nespoli
Luigi Ottolino
Michele Quartullo
Ezio Sabelli
Elio Terribili
Special Effects Makeup Artist:
Luigi Ottolino
Leonardo Cruciano
Special Effects Supervisor:
Luca Ricci
Still Photographer:
Gianfranco Mura
Story:
Giulia Graglia
Giovanni Antonio Marchesi
Piero Tomaselli
Filippo Meneghetti
Stefano Bessoni
Stunt Coordinator:
Stefano Maria Mioni
Swing:
Glauco Trasselli
Tailor:
Stefania Berrino
Sabrina Gennaro
Sara Pantusa
Thanks:
Tancredi Campello
Ivan Cenzi
Bruno D'Annunzio
Maria Silvia Farci
Tullio Gallo
Christian Halsey Solomon
Bruno Maltese
Paolo Massaccesi
Enver Melis
Sabrina Miccoli
Federica Pelliccioni
Enzo Sferra
Third Assistant Director:
Matteo Bernardini
Unit Manager:
Fabrizio Amato
Video Assist Operator:
Silverio Chiappara
Visual Effects:
Luca Bellano
Marisa Di Pasquale
Visual Effects Supervisor:
Bruno Albi Marini
Writer:
Luiso Berdejo
Richard Stanley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.