A work in constant progress (and occasional regress).
Release Date:
November 16, 2013
Original Title:
Unbound
Ratings / Certifications:
N/A
Runtime: 67
In Rome for a year at the American Academy, I created imaginary home movies of scenes from the life of Mary and Percy Shelley. I was attracted to these authors — their life of poetry, politics and sexual invention—and inspired by my previous fictionalizing of home movies in Covert Action and The Future is Behind You. I worked with non-actors, the seasons and the extraordinary architecture and landscapes of Italy where the Shelleys were in exile for six of their eight years together. The result was a feature film A Shape of Error, gorgeous, emotional and harnessed to the narrative. I wanted to go further and abetted by digital technology, I have ‘exploded’ the film. The result is UNBOUND, digressive, looped, unpredictable, symphonic, spontaneous, messy—like life and memory.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.