A work in constant progress (and occasional regress).
Release Date:
December 21, 1962
Original Title:
Le Procès
Alternate Titles:
Het Proces
O Processo
Oikeusjuttu
Процес
Процесът
심판
Genres:
Crime | Drama | Mystery
Production Companies:
Finanziaria Cinematografica Italiana (FICIT)
Hisa-Film
Paris-Europa Productions
Production Countries:
France | Germany | Italy
Ratings / Certifications:
AU: PG DE: 16 FR: 12 NL: 12 PL: 18 US: PG
Runtime: 119
Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason for this accusation and to protest his innocence, he tries to look behind the façade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this nightmare.
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Adaptation:
Pierre Cholot
Animation:
Alexandre Alexeieff
Assistant Camera:
Max Dulac
Assistant Director:
Sophie Becker
Marc Maurette
Paul Seban
Assistant Editor:
Roberto Perpignani
Assistant Unit Manager:
Philippe Dubail
Emile Blondé
Associate Editor:
Gérard Pollicand
Boom Operator:
Guy Maillet
Camera Operator:
Adolphe Charlet
Costume Design:
Helen Thibault
Director:
Orson Welles
Director of Photography:
Edmond Richard
Editor:
Yvonne Martin
Frederick Muller
Orson Welles
Location Manager:
Guy Maugin
Makeup Artist:
Louis Dor
Novel:
Franz Kafka
Original Music Composer:
Jean Ledrut
Producer:
Alexander Salkind
Michael Salkind
Production Design:
Jean Mandaroux
Production Director:
Paul Laffargue
Production Manager:
Robert Florat
Screenplay:
Orson Welles
Second Assistant Camera:
Robert Fraisse
Sound:
Guy Villette
Julien Coutelier
Sound Assistant:
Urbain Loiseau
Sound Mixer:
Jacques Lebreton
Special Effects:
Denise Baby
Still Photographer:
Roger Corbeau
Unit Manager:
Jacques Pignier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.