A work in constant progress (and occasional regress).
Release Date:
November 18, 1974
Original Title:
A Woman Under the Influence
Alternate Titles:
Eine Frau unter Einfluß
En kvinna under påverkan
Invloeden op een Vrouw
Koware yuku Onnna
Təsir Altında Bir Qadın
Una mujer bajo la influencia
こわれゆく女
受影响的女人
영향 아래 있는 여자
Genres:
Drama
Production Companies:
Faces International Films
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 DK: 15 US: R
Runtime: 155
Mabel Longhetti, desperate and lonely, is married to a Los Angeles municipal construction worker, Nick. Increasingly unstable, especially in the company of others, she craves happiness, but her extremely volatile behavior convinces Nick that she poses a danger to their family and decides to commit her to an institution for six months. Alone with a trio of kids to raise on his own, he awaits her return, which holds more than a few surprises.
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2012 #59 |
Directors' Top 100 Poll
Greatest Films of All Time |
Additional Camera:
Gary Graver
Additional Photography:
Caleb Deschanel
R. Michael Stringer
Art Direction:
Phedon Papamichael
Assistant Camera:
Frederick Elmes
Leslie Otis
Anthony R. Palmieri
Larry Silver
Boom Operator:
Nick Spaulding
Camera Operator:
Michael Ferris
David B. Nowell
Continuity:
Elaine Kagan
Director:
John Cassavetes
Director of Photography:
Mitch Breit
Al Ruban
Editor:
David Armstrong
Sheila Viseltear
Beth Bergeron
Executive In Charge Of Post Production:
Robert Heffernan
First Assistant Director:
Jack Corrick
Gaffer:
David V. Lester
Graphic Designer:
Steve Hitter
Key Grip:
Cliff Carnell
Lighting Technician:
Mitch Breit
Merv Dayan
Bo Taylor
Chris Taylor
Original Music Composer:
Bo Harwood
Producer:
Sam Shaw
Production Secretary:
Carole K. Smith
Props:
Kevin Joyce
Second Assistant Director:
Roger Slager
Second Unit Director:
Gary Graver
Sound:
Bo Harwood
Sound Mixer:
Michael Denecke
Still Photographer:
Brian Hamill
Supervising Editor:
Tom Cornwell
Wardrobe Supervisor:
Carole K. Smith
Writer:
John Cassavetes
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.