A work in constant progress (and occasional regress).
Release Date:
January 1, 1985
Original Title:
The Big Bet
Alternate Titles:
Nachhilfe in Sachen Liebe
SUEÑOS EROTICOS
Una donna, una preda
Genres:
Comedy
Production Companies:
G.T. Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 86
An older woman shows a high schooler how to woo a girl and win a bet with a bully.
ADR Recordist:
Kevin E. Carpenter
Richard Overton
J. Robert Pettis
Additional Grip:
John Uplinger
Additional Photography:
Richard Ellis
Art Direction:
Ken Aichele
Assistant Editor:
Denise Davis
Best Boy Electric:
Donald Robinson
Chuck Mason
Best Boy Grip:
David Donoho
Boom Operator:
Henry Coccetti
Camera Operator:
Robert Wilson
Casting:
Jacov Bresler
Director:
Bert I. Gordon
Director of Photography:
Thomas F. Denove
Editor:
Richard Moore
Electrician:
Kimon Rethis
First Assistant Camera:
Bill Boatman
First Assistant Director:
Mike Frankovich Jr.
Gaffer:
John Bertram
Hairdresser:
Kathleen Hagen
Laura Krewatch
Key Grip:
Chuck Wells
Makeup Artist:
Susan Wenzel
Laura Krewatch
Original Music Composer:
Gary Pickus
Producer:
Bert I. Gordon
Production Sound Mixer:
Peter Bentley
Production Supervisor:
Cheryl Fox
Property Master:
Tom Talbert
Script Supervisor:
Shay Garner
Second Assistant Camera:
Stephen Collins
Second Assistant Director:
William Holbrook
Set Dresser:
Karen Reynolds
Steve Krajewski
Sound Editor:
Bob Biggart
Sound Re-Recording Mixer:
Don J. Bassman
Kevin F. Cleary
Richard Overton
Still Photographer:
Charles Barnett
Unit Production Manager:
Mike Frankovich Jr.
Wardrobe Supervisor:
Debbie Hall
Writer:
Bert I. Gordon
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.