A work in constant progress (and occasional regress).
Release Date:
August 7, 2015
Original Title:
Harbinger Down
Alternate Titles:
Harbinger Down - Das Grauen lauert im Eis
Harbinger Down - Es gibt kein zurück
Harbinger Down - Terror no Gelo
Inanimate
Genres:
Horror | Science Fiction
Production Companies:
Dark Dunes Productions
Studio ADI
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GB: 15 JP: R18+ KR: 15
Runtime: 82
A group of grad students have booked passage on the fishing trawler Harbinger to study the effects of global warming on a pod of Orcas in the Bering Sea. When the ship's crew dredges up a recently thawed piece of old Soviet space wreckage, things get downright deadly. It seems that the Russians experimented with tardigrades, tiny resilient animals able to withstand the extremes of space radiation. The creatures survived, but not without mutation. Now the crew is exposed to aggressively mutating organisms. And after being locked in ice for 3 decades, the creatures aren't about to give up the warmth of human companionship.
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Art Direction:
Spencer Brennan
Casting:
Joey Paul Jensen
Niner Parikh
Costume Design:
Vanessa Gonzalez
Megan Klimkos
Creature Design:
Michael Broom
Alexandra Hughes
Nelson Broskey
Director:
Alec Gillis
Director of Photography:
Benjamin L. Brown
Editor:
Benjamin L. Brown
Foley:
Jeniel Braun
Gaffer:
Colten Currey
Makeup Artist:
Brittany Larisa Avalon
Makeup Department Head:
Michael Spatola
Original Music Composer:
Christopher Drake
Producer:
Hadeel Reda
Doug Scroggins III
Tom Woodruff Jr.
Benjamin L. Brown
Camille Balsamo
Jennifer Tung
Production Design:
Kyle Michael Wilson
Script Supervisor:
Amy Arter
Sound Designer:
Benjamin L. Brown
Sound Effects Editor:
Anthony Torretto
Sound Re-Recording Mixer:
Stanley Kastner
Kelly Vandever
Stephen Fitzmaurice
Still Photographer:
Lara Solanki
Visual Effects Supervisor:
Robert Skotak
Writer:
Alec Gillis
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.