Terminator 3: Rise of the Machines (2003) [R]

Release Date:
July 2, 2003

Original Title:
Terminator 3: Rise of the Machines

Alternate Titles:
Exolothreftís 3: I Exégersi ton Michanón
O Exterminador do Futuro 3 A Rebeliao das Maquinas
T3
T3: Rise of the Machines
Terminator 3
Terminator 3 - Le Soulèvement des Machines
Terminator 3 - The Rise of the Machines
Terminator 3: Buntŭt na mashinite
Terminator 3: La rebelión de las máquinas
Terminator 3: Maskinernas uppror
Terminator 3: Povstannya mashyn
Terminator 3: Vosstaniye mashin
Terminator 3: pobuna mašina
Terminator 3:Rise Of The Machines
York Square
Терминатор 3. Восстание машин
เทอร์มิเนเตอร์ 3 : กำเนิดใหม่เครื่องจักรสังหาร
ターミネーター3:2003
未來戰士3:殲滅者TX
终结者3
终结者3:机器觉醒

Genres:
Action | Science Fiction | Thriller

Production Companies:
C2 Pictures
IMF Internationale Medien und Film GmbH & Co. 3. Produktions KG
Intermedia
Mostow/Lieberman Productions
Senator International
Valhalla Motion Pictures

Production Countries:
Germany | United Kingdom | United States of America

Ratings / Certifications:
AU: M  BG: D  BR: 14  CH: 16  CZ: U  DE: 16  DK: 15  ES: 12  FR: 16  GB: 12A  GR: 16  HU: 16  IE: 12PG  IT: T  KR: 15  MX: B  NL: 12  PL: 16  PT: M/16  RU: 16+  SE: 15  US: R 

Runtime: 109

The Machines Will Rise.

It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

3D Supervisor:
Colin Strause

ADR Editor:
Joe Dorn
Andrea Horta

ADR Mixer:
Howard London

ADR Recordist:
Nick Foley

ADR Voice Casting:
Wendy Hoffmann

Additional First Assistant Camera:
Brandon Margulies

Additional Production Assistant:
Doug Meyer

Additional Second Assistant Camera:
Mark 'Boylee' Boyle

Aerial Coordinator:
Robert 'Bobby Z' Zajonc

Ager/Dyer:
Carol Demarti

Animation Director:
Danny Gordon Taylor

Apprentice Sound Editor:
Stewart Maclennan

Armorer:
Michael Papac

Art Department Assistant:
Erica Callas

Art Department Coordinator:
Laura J. DeRosa

Art Direction:
Shepherd Frankel
Beat Frutiger
Andrew Menzies
Mark Zuelzke

Assistant Accountant:
Kelley Baker

Assistant Art Director:
Greg Berry

Assistant Camera:
Ron Peterson

Assistant Director:
Christian Pichler

Assistant Editor:
Cedric Nairn-Smith

Assistant Location Manager:
Martin Allen

Assistant Production Coordinator:
Edward Hunt

Assistant Production Manager:
Tony Schwartz

Assistant Property Master:
Eric Dennis

Assistant Sound Editor:
Joseph Bonn
Matthew P. Hanson
Ann Ducommun
Tricia Linklater

Best Boy Grip:
Steve Ball

Boom Operator:
Cary Weitz

CG Artist:
Dániel Bukovec

CG Supervisor:
Richard McBride

Camera Loader:
Heather Green

Camera Production Assistant:
Marc Lulkin

Casting:
Sarah Halley Finn
Randi Hiller

Casting Assistant:
Scott D. Moore

Casting Associate:
Courtney Gross

Characters:
James Cameron
Gale Anne Hurd

Compositing Supervisor:
Gregory Oehler

Conceptual Design:
Constantine Sekeris

Conductor:
Pete Anthony

Construction Coordinator:
Greg John Callas

Construction Foreman:
Sean Clouser

Costume Design:
April Ferry

Costume Illustrator:
Jacqueline Wazir

Costume Supervisor:
Donna Marcione Pollack
Dan Moore

Costumer:
Becky Gelbart

Craft Service:
Lea Anderson
Ted Yonenaka

Creature Technical Director:
William Clay

Dialogue Editor:
Michael J. Benavente

Digital Color Timer:
Michael Eaves

Digital Compositor:
Robert Hoffmeister

Digital Compositors:
Jamie Baxter

Digital Effects Producer:
Rod Park

Digital Effects Supervisor:
Don Lee

Digital Intermediate Editor:
Amy Tompkins

Digital Intermediate Producer:
Hilda Saffari

Director:
Jonathan Mostow

Director of Photography:
Don Burgess

Dolby Consultant:
Andy Potvin

Dolly Grip:
Brian Rosso
Bobby Foster

Driver:
Roger Bojarski Jr.

Editor:
Nicolas De Toth
Neil Travis

Electrician:
Darren Langer

Executive Assistant:
Alexander Yves Brunner

Executive Music Producer:
Joel Sill

Executive Producer:
Moritz Borman
Guy East
Gale Anne Hurd
Aslan Nadery
Dieter Nobbe
Volker Schauz
Nigel Sinclair

Extras Casting:
Tina Kerr

Extras Casting Assistant:
Ford Austin

First Assistant Camera:
Raimund Almanza

First Assistant Director:
Bruce Moriarty

First Assistant Editor:
Todd Busch

Foley Artist:
Nancy Parker

Foley Mixer:
Brian Ruberg

Foley Supervisor:
Matthew C. Beville

Gaffer:
James M. McEwen

General Manager:
Donald Fly

Graphic Designer:
David E. Scott

Grip:
Nico Bally

Hair Department Head:
Peter Tothpal

Hairstylist:
Lisa M. Cubero

Head Greensman:
Frank Cappiello

Key Grip:
Michael J. Coo

Key Hair Stylist:
Cydney Cornell

Key Makeup Artist:
Louis Lazzara

Key Set Production Assistant:
Kayce Brown

Layout:
John Trujillo

Lead Animator:
Scott Wirtz

Lead Painter:
Giovanni Ferrara

Leadman:
Wayne Shepherd

Lighting Technician:
Anthony D. Guzman

Line Producer:
Oliver Hengst

Location Assistant:
Paige Wilbanks

Location Manager:
Michael J. Burmeister
Colleen Gibbons

Makeup Artist:
Steve LaPorte

Makeup Department Head:
Jeff Dawn

Makeup Designer:
Terry Wolfinger

Makeup Effects:
Stan Winston
John Rosengrant
Arjen Tuiten

Matte Painter:
Shannan Burkley

Mechanical Designer:
Richard J. Landon

Modeling:
Tory Belleci

Motion Capture Artist:
Tom Armbruster

Music Coordinator:
Marylou Eales

Music Editor:
Bill Abbott

Musician:
Kevin Connolly

Negative Cutter:
Gary Burritt

Orchestrator:
Pete Anthony

Original Music Composer:
Marco Beltrami

Painter:
Francesco Franco Ferrara

Payroll Accountant:
Cecilia Escobar

Picture Car Coordinator:
Robert K. Johnson

Post Production Assistant:
Stewart Maclennan

Post Production Supervisor:
Michael Tinger

Presenter:
Andrew G. Vajna

Producer:
Hal Lieberman
Joel B. Michaels
Mario Kassar
Andrew G. Vajna
Colin Wilson
Matthias Deyle

Production Accountant:
Maryjane Layani

Production Assistant:
Graham DuBose
Billy Taylor

Production Controller:
Nour Dardari

Production Coordinator:
Tina Bennett

Production Design:
Jeff Mann

Production Executive:
Tobin Armbrust

Production Illustrator:
Matt Codd

Production Secretary:
Jana Lundy

Production Sound Mixer:
William B. Kaplan

Production Supervisor:
Gregory Alpert

Projection:
Kent Hayward

Property Master:
Hope M. Parrish

Propmaker:
Mark Bialuski

Prosthetic Supervisor:
Clinton Wayne

Publicist:
Shery Mann

Quality Control Supervisor:
Timothy Michael Cairns

Researcher:
Max Chen

Rigging Grip:
Jason Andrew

Rotoscoping Artist:
Grace Cheney

Screenplay:
John Brancato
Michael Ferris

Script Supervisor:
Luca Kouimelis

Sculptor:
Fred Arbegast

Second Assistant Accountant:
Carlo Pratto

Second Assistant Camera:
Giselle Brewton

Second Assistant Director:
Emily McGovern

Second Second Assistant Director:
Mark S. Constance

Second Unit Director:
Simon Crane

Second Unit Director of Photography:
Ben Seresin

Security:
Howard Velasco

Sequence Supervisor:
Philippe Rebours

Set Costumer:
Bob Moore Jr.

Set Decoration:
Jay Hart

Set Designer:
Maria Baker

Set Dresser:
Tammy Banal
Don Elliott
Michael O'Donnell

Set Dressing Supervisor:
Egan Gauntt

Set Medic:
Jason Inman

Set Painter:
John Bugarcic

Set Production Assistant:
Angela Athayde

Software Engineer:
Ryan Kautzman

Sound Designer:
Buck Sanders

Sound Editor:
Paula Fairfield

Sound Effects Editor:
Peter Brown

Sound Mixer:
Ray Cymoszinski

Sound Recordist:
Richard Jay
Sean Landeros

Special Effects Assistant:
Parry Willard

Special Effects Coordinator:
Allen Hall

Special Effects Supervisor:
Keith Marbory

Special Effects Technician:
Brian Barnhart

Stand In:
Bert Beatson

Steadicam Operator:
Kenji Luster

Still Photographer:
Robert Zuckerman

Story:
John Brancato
Michael Ferris
Tedi Sarafian

Storyboard Artist:
Chris Buchinsky
Robert Consing

Stunt Coordinator:
Simon Crane

Stunt Double:
Billy D. Lucas
Dana Hee
Alisa Hensley

Stunt Driver:
Robin Lynn Bonaccorsi

Stunts:
Kenny Alexander
Jack Carpenter
Tim Rigby
Mike Smith
Wade Allen
Rick Avery
Sandy Berumen
Richard Burden
Marc Cass
Chuck 'Chaz' Hosack
Rex Reddick
Troy Gilbert
Lance Gilbert
Brycen Counts
Terry Jackson
David Hugghins
Jennifer Caputo
Phil Culotta
Charlie Brewer
Ray De-Haan
Damien Moreno
Theo Kypri
Dickey Beer
Brian Simpson
Tim Trella
Christopher J. Tuck
Scott Wilder
Danny Weselis
Scott Workman
Peter Weireter
Steve Holladay
Dana Dru Evenson
Mark De Alessandro
Laura Albert

Supervising ADR Editor:
Susan Dudeck

Supervising Sound Editor:
Stephen Hunter Flick

Systems Administrators & Support:
Evan Schiff

Thanks:
Csilla Somogyi

Transportation Captain:
Mike Shannon

Transportation Coordinator:
Denny Caira

Unit Production Manager:
Sharon Mann

Unit Publicist:
Sheryl Main

Utility Sound:
Philip A. Schwartz

Utility Stunts:
Lesley Aletter

Video Assist Operator:
Mauriece Jacks Jr.

Visual Effects:
Bill Coffin

Visual Effects Art Director:
Peter Mitchell Rubin

Visual Effects Coordinator:
Gayle Busby
Elaine Essex Thompson

Visual Effects Editor:
Gian Ganziano
Anthony Pitone

Visual Effects Producer:
Kim Boyle
Gretchen Libby

Visual Effects Production Assistant:
Jill E. Hughes

Visual Effects Production Manager:
Jodi Birdsong

Visual Effects Supervisor:
Dion Hatch
Kenneth Nakada

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.