A work in constant progress (and occasional regress).
Release Date:
May 17, 2003
Original Title:
Reconstruction
Alternate Titles:
Erotiki anaparastasi
Reconstrucción de un amor
Reconstruction
Reconstrução de um Amor
Rekonstrukció
Rekonstrukcja
Yeniden sev beni
Genres:
Drama | Romance
Production Companies:
Director's Cut
HR. Boe & Co.
Nordisk Film Denmark
TV 2
Production Countries:
Denmark
Ratings / Certifications:
CZ: 15+ FR: U NL: 12
Runtime: 92
Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee. In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return.
Boom Operator:
John Nielsen
Camera Technician:
Andreas Kragh-Jacobsen
Casting:
Anja Philip
Color Designer:
Jonas Drehn
Jan Degn
Color Timer:
Ejvind Bording
Costume Design:
Gabi Humnicki
Dialogue Editor:
Camilla Mauritzson Skjaerbaek
Digital Effects Supervisor:
Lars Bjørn Hansen
Director:
Christoffer Boe
Director of Photography:
Manuel Alberto Claro
Dolby Consultant:
Mark Kenna
Editor:
Mikkel E.G. Nielsen
Peter Brandt
Editorial Production Assistant:
Michael Jørgensen
Foley:
Julien Naudin
Gaffer:
Andreas Kragh-Jacobsen
Lighting Technician:
Tobias Juhl
Andreas Kragh-Jacobsen
Location Manager:
Carsten Sparwath
Location Scout:
Jeppe Tolstrup-Møller
Makeup Department Head:
Henrik Steen
Original Music Composer:
Thomas Knak
Post Production Assistant:
Christina Isabel Emdrup
Adam Nielsen
Post Production Supervisor:
Tove Jystrup
Producer:
Åke Sandgren
Tine Grew Pfeiffer
Lars Kjeldgård
Production Design:
Martin de Thurah
Production Manager:
Johnny Andersen
Production Office Assistant:
Bibi Malby
Script Supervisor:
Adam Nielsen
Sound Director:
Morten Green
Sound Re-Recording Mixer:
Nino Jacobsen
Steadicam Operator:
Niels Hansen
Stig Günther
Still Photographer:
Andreas Kragh-Jacobsen
Stunts Coordinator:
Stig Günther
Visual Effects:
René Rask
Writer:
Mogens Rukov
Christoffer Boe
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.