A work in constant progress (and occasional regress).
Release Date:
December 30, 1954
Original Title:
La principessa delle Canarie
Alternate Titles:
A Princesa das Canárias
Aufstand im Inselparadies
Conquête héroique
Księżniczka z Wysp Kanaryjskich
La princesa de las Canarias
The Island Princess
Tirma
Genres:
Adventure | Romance
Production Companies:
Compañía Industrial Film Español S.A. (CIFESA)
Film Costellazione
Infies
Production Countries:
Italy | Spain
Ratings / Certifications:
N/A
Runtime: 96
1470. The Canary Islands try to resist the Spanish invaders. Their inhabitants are divided, their chief and his daughter Guayarmina (for whom a Spanish officer has fallen in love) wanting the peace, while the priest and resistance leader are for war. After several battles the islanders are chased to Tirma mountain by the Spanish army.
Assistant Camera:
Sandro Serafin
Assistant Director:
Manuel del Río
Francisco Yllera
Assistant Editor:
Marcella Benvenuti
Camera Operator:
Antonio Macasoli
Aldo Scavarda
Cinematography:
Enzo Serafin
Costume Designer:
Carlos Morón
Dialogue:
Cesare Meano
Director:
Paolo Moffa
Makeup Artist:
Otello Fava
Music:
Franco Ferrara
Property Master:
Domingo Montesdeoca
Gustavo Quintana
Screenplay:
Luis Martínez Carvajal
Paolo Moffa
Antonio Pietrangeli
Juan del Río Ayala
Script Supervisor:
Enrique López Eguiluz
Set Designer:
Sergio Calvo
Carlos Morón
Sound Technical Supervisor:
Ovidio Del Grande
Special Effects:
Renato del Frate
Writer:
Carlos Serrano de Osma
Florentino Soria
Antonio Cibotto
Diego Fabbri
Antonio Pietrangeli
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.