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The Immortals (1995) [N/A]

Release Date:
October 5, 1995

Original Title:
The Immortals

Alternate Titles:
Gun Power
Immortels

Genres:
Action | Crime | Drama | Thriller

Production Companies:
End Productions
Mondofin B.V.
Nu Image

Production Countries:
United States of America

Ratings / Certifications:
DE: 18  FR: 12 

Runtime: 98

It was a chance of a lifetime. If they lived that long.

Overview from TheMovieDB

An elaborate heist unites 8 strangers in a simultaneous assault on targets all over the city- and explodes in a hailstorm of gunfire and high-speed chases in this powerful action-thriller. Recruited by a Mafia nightclub owner (Eric Roberts), 4 teams launch a brutal cross-town attack to retrieve suitcases full of cash. But as the violence escalates, the team members discover just who their real target has been all along - and the shocking truth they have in common.

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Production

Art Direction:
Fanée Aaron

Associate Producer:
Tia Carrere

Camera Operator:
Paul A. Edwards

Casting:
Geno Havens

Co-Producer:
Kevin Bernhardt

Co-Writer:
Carter Blanchard

Costume Design:
Dana Allyson

Director:
Brian Grant

Director of Photography:
Anthony B. Richmond

Editor:
Richard Trevor

Executive Producer:
Danny Dimbort
Avi Lerner
Trevor Short

Gaffer:
Adam Goldfine

Original Music Composer:
Claude Gaudette

Producer:
Elie Samaha

Production Design:
Guy Greville-Morris

Screenplay:
Kevin Bernhardt

Story:
Elie Samaha

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.