A work in constant progress (and occasional regress).
Release Date:
October 26, 1965
Original Title:
Die, Monster, Die!
Alternate Titles:
Colour Out of Space
Die, Monster, Die!
Monster of Terror
The House at the End of the World
Genres:
Horror | Science Fiction
Production Companies:
Alta Vista Productions
American International Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 16 GB: 15
Runtime: 80
A young man visits his fiancé's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Colin Southcott
Assistant Director:
Dennis Hall
Camera Operator:
Cecil Cooney
Continuity:
Tilly Day
Director:
Daniel Haller
Director of Photography:
Paul Beeson
Editor:
Alfred Cox
Executive Producer:
James H. Nicholson
Samuel Z. Arkoff
Hairstylist:
Bobbie Smith
Makeup Artist:
Jimmy Evans
Music Director:
Philip Martell
Original Music Composer:
Don Banks
Producer:
Pat Green
Screenplay:
Jerry Sohl
Short Story:
H.P. Lovecraft
Sound Editor:
Alan Corder
Alban Streeter
Sound Recordist:
Bob Jones
Ken Rawkins
Special Effects:
Wally Veevers
Ernie Sullivan
Wardrobe Designer:
Laurel Staffell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.