A work in constant progress (and occasional regress).
Release Date:
September 16, 2015
Original Title:
Pay the Ghost
Alternate Titles:
Hayaletin İntikamı
La maldición de Charlie
La noche de los desaparecidos
Puertas de la Oscuridad
Regresso do Mal
Genres:
Horror
Production Companies:
Midnight Kitchen Productions
PTG Nevada
Voltage Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 DE: 16 JP: R15+ RU: 16+
Runtime: 94
One year after his young son disappeared during a Halloween carnival, Mike Cole is haunted by eerie images and terrifying messages he can’t explain. Together with his estranged wife, he will stop at nothing to unravel the mystery and find their son—and, in doing so, he unearths a legend that refuses to remain buried in the past.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR & Dubbing:
Jesse Gillingham
Art Direction:
Sean Breaugh
Assistant Costume Designer:
Avery Plewes
Bonnie Sutherland
Assistant Director:
Joe Gold
Jennifer Haufler
Associate Editor:
Brian Scott Steele
Best Boy Electric:
Kevin Barnes
Boom Operator:
Moshe Saadon
Alan Zielonko
Camera Operator:
Ian Anderson
Rob Barnett
Perry Hoffman
Sean Sealey
Carpenter:
Attilio Cimini
Travis Staley
Casting:
John Buchan
Jason Knight
Co-Executive Producer:
Dominic Rustam
Co-Producer:
Daniel Bekerman
Babacar Diene
Valentina Gardani
Colorist:
Jim Fleming
Construction Coordinator:
Ross Fraser
Costume Design:
Christopher Hargadon
Costume Supervisor:
Alex Kavanagh
Dialect Coach:
Judy Dickerson
Àdhamh Ó Broin
Director:
Uli Edel
Director of Photography:
Sharone Meir
Dolly Grip:
Roger Glidden
Editor:
Jeff McEvoy
Executive Producer:
Dennis Berardi
Frank Buchs
Cybill Lui
Michael Nilon
First Assistant "A" Camera:
Barrett Axford
First Assistant "C" Camera:
Stephen Butson
Amanda W.
First Assistant "D" Camera:
Philippe Champion
First Assistant Director:
Pierre Henry
Foley Artist:
Sid Lieberman
Gaffer:
Michael L. Hall
Hairstylist:
Rossana Vendramini
Key Grip:
Adam McDonald
Key Hair Stylist:
Etheline Joseph
Key Makeup Artist:
Julia Valente
Key Rigging Grip:
Christopher Harvey
Leadman:
Michael Vanderteems
Location Manager:
Eardley Wilmot
Location Scout:
A.J. Hordal
Makeup & Hair:
Lauren Thomas
Music Editor:
Scott Francisco
Novel:
Tim Lebbon
Original Music Composer:
Joseph LoDuca
Painter:
Craig Coppella
Post Production Supervisor:
Philip Stilman
Producer:
Nicolas Chartier
Craig J. Flores
Ian Levy
Patrick Newall
Production Coordinator:
Michelle Kanyo
Production Design:
Rupert Lazarus
Property Master:
Alex Kutschera
Prosthetic Designer:
Paul Jones
Prosthetic Makeup Artist:
Graham Chivers
Vivian Orgill
Screenplay:
Daniel Kay
Script Supervisor:
Bosede Williams
Second Assistant Director:
Grant Lucibello
Lorin Raine
Siluck Saysanasy
Second Unit Director of Photography:
Mirosław Baszak
Set Decoration:
Patricia Cuccia
Set Dresser:
Sandra Allan
Vincent Harper
Sound Designer:
Allan Fung
Sound Effects Editor:
Katie Halliday
Richard Harkness
Sound Mixer:
Brian Hanish
Sound Re-Recording Mixer:
Steve Foster
Paul Shubat
Special Effects Supervisor:
Warren Appleby
Still Photographer:
Rafy
Stunt Coordinator:
Eric Bryson
Stunt Double:
Steve Gagne
Duncan McLeod
Stunt Driver:
Tim Cody
Danny Lima
Tony Morelli
Geoff Williams
Stunts:
Alex Armbruster
Susana Baker
Cameron Bryson
Ho Chow
Carrie Eklund
Stephanie Fonceca
Stephannie Hawkins
Dimitri Pavlakos
Ilora Rosenberg
Sarah Scotford
Mary Ann Stevens
Transportation Captain:
Ritchie Miazek
Visual Effects Coordinator:
Jenn Inkol
Alina Klinaeva
Karen McGregor
Chris Ritvo
Chris Ross
Visual Effects Editor:
Brandon Schaafsma
Visual Effects Supervisor:
Eric Robinson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.