A work in constant progress (and occasional regress).
Release Date:
January 1, 1990
Original Title:
The Australian Ballet: Coppélia
Alternate Titles:
Coppélia: or, The Girl with Enamel Eyes
Genres:
Music
Production Companies:
Australian Broadcasting Corporation
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 106
This delightful ballet tells the story of Dr Coppelius, an eccentric toymaker, who attempts to bring life to his beautiful doll Coppélia. He is foiled by the mischevious Swanilda, who masquerades as Coppélia and saves her love, Franz, from the Doctor's magic. Recorded live at the Sydney Opera House, this acclaimed production by Dame Peggy van Praagh, the founding Artistic Director of the Australian Ballet, is a triumph.
Associate Producer:
John Widdicombe
Broadcast Producer:
Phil Gouldon
Andrew Haken
Russell Wood
Camera Operator:
Andrew Goldrick
Mark Cronin
Peter Dawson
Julia Kennedy
Henry Schydlo
Michael Turski
Susan Lumsdon
Charles McCammon
Choreographer:
Peggy van Praagh
Enrico Cecchetti
Arthur Saint-Léon
Marius Petipa
Conductor:
Noel Smith
Costume Design:
Kristian Fredrikson
Director:
Virginia Lumsden
Editor:
Andrew McLean
Executive Producer:
Greg Shears
Film Processor:
Donn Hogan
Lighting Design:
William Akers
Lighting Director:
David Arthur
Makeup Artist:
Elaine Fitcher
Ronaldo Bassi
Manager of Operations:
Francesca Belli
Mix Technician:
Stephen J. Harrington
Music:
Léo Delibes
Producer:
Christopher Lawrence
Michael Osborne
Virginia Lumsden
Production Assistant:
Wendy Young
Rebecca Martin
Production Controller:
Eric Catterall
Wayne Chee
Graham Margraf
Production Director:
George Ogilvie
Production Manager:
John Pine
Sound:
Ron Marton
Allan Maclean
Glenn Heaton
Paul Kirk
Jeremy Mawer
Story:
E. T. A. Hoffmann
Writer:
Charles Nuitter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.