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In Dreams (1999) [R]

Release Date:
January 15, 1999

Original Title:
In Dreams

Alternate Titles:
Dentro de mis sueños

Genres:
Horror | Mystery | Thriller

Production Companies:
Amblin Entertainment
DreamWorks Pictures
Stephen Woolley Productions

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  KR: 18  US: R 

Runtime: 100

You don't have to sleep to dream

Overview from TheMovieDB

A suburban housewife learns that she has psychic connections to a serial killer, and can predict this person's motives through her dreams.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Alec Hirschfeld

Actor's Assistant:
Kim Mozingo

Additional Sound Re-Recording Mixer:
Paul Massey

Art Direction:
Martin Laing

Assistant Art Director:
Carl Sprague

Assistant Chief Lighting Technician:
Peter Girolami

Assistant Costume Designer:
Suzanne McCabe

Assistant Dialogue Editor:
Sara Hegarty

Assistant Location Manager:
Laura Berning

Assistant Property Master:
Edward 'Tantar' LeViseur
Kris Moran

Assistant Set Decoration:
Sarah Jackson Burt

Best Boy Grip:
Dean M. King

Boom Operator:
Louis Sabat

Camera Loader:
Josh Blakeslee

Camera Operator:
Mike Roberts

Casting:
Janet Hirshenson
Jane Jenkins

Casting Assistant:
Anya Colloff

Chief Lighting Technician:
Jerry DeBlau

Co-Producer:
Redmond Morris

Color Grading:
Paul Ensby

Conductor:
Jonathan Sheffer

Construction Coordinator:
Anthony Dunne

Construction Foreman:
John Grimolizzi

Costume Design:
Jeffrey Kurland

Costume Supervisor:
Dawn Y. Line

Costumer:
Shoshana Rubin

Dialogue Editor:
Philip Alton

Director:
Neil Jordan

Director of Photography:
Darius Khondji

Dolly Grip:
Tony Campenni

Editor:
Tony Lawson

Electrician:
Matthew Brookman
Kenneth Dodd
Thomas C. Nisbet
Wayne Simpson

Extras Casting:
Marty Keener Cherrix

First Assistant "B" Camera:
Marc Hirschfeld

First Assistant Camera:
Bill Coe

First Assistant Director:
Patrick Clayton

Foley Artist:
Jenny Lee Wright
Ruth Sullivan

Grip:
Tim Driscoll
David Larue

Hairstylist:
Jacqueline Payne

Key Grip:
Chris Centrella

Key Hair Stylist:
Aaron F. Quarles

Key Makeup Artist:
Lori Hicks

Leadman:
James V. Kent

Location Casting:
Carolyn Pickman

Makeup Artist:
Matiki Anoff
Felice Diamond

Makeup Effects:
Bill Messina
Bill 'Splat' Johnson

Music Editor:
Curtis Roush

Music Producer:
Matthias Gohl

Novel:
Bari Wood

Orchestrator:
Robert Elhai
Elliot Goldenthal

Original Music Composer:
Elliot Goldenthal

Post Production Accountant:
Maria DeVane

Post Production Coordinator:
Tricia Perrott

Producer:
Charles Burke
Stephen Woolley

Production Accountant:
Nicole Furia

Production Design:
Nigel Phelps

Production Supervisor:
Judy Richter

Property Master:
David Gulick

Rigging Gaffer:
Richie Ford

Screenplay:
Bruce Robinson
Neil Jordan

Script Supervisor:
Robin Squibb

Second Assistant Camera:
Adam Gilmore

Second Assistant Director:
Christo Morse

Set Costumer:
Debbie Holbrook
Winsome G. McKoy

Set Decoration:
Gretchen Rau

Set Dresser:
Jeffrey DeBell
Theodore Suchecki

Sound Designer:
Leslie Shatz

Sound Re-Recording Mixer:
Leslie Shatz

Special Effects Supervisor:
Yves De Bono

Special Effects Technician:
Ron Colucci
Phil H. Fravel
David Hill

Steadicam Operator:
Jerry Holway

Still Photographer:
François Duhamel

Storyboard Artist:
George Jenson

Stunt Coordinator:
Jery Hewitt

Stunts:
Bill Anagnos
Dana Bertolette
Richard L. Blackwell
Robin Lynn Bonaccorsi
Peter Bucossi
Eliza Coleman
Norman Douglass
Danny Downey
Andrew Dupin
Peter Epstein
Roy Farfel
Gene Harrison
Don Hewitt Sr.
Donald John Hewitt
Jennifer Lamb
David Paul Lord
Kurt D. Lott
Steve Mack
John Patrick McLaughlin
Charles Page
Janet Paparazzo
Susan Purkhiser
Jodi Michelle Pynn
Michael Russo
Keith Siglinger

Transportation Captain:
Robert Martini

Unit Production Manager:
Nan Bernstein Freed

Unit Publicist:
Guy Adan

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.