A work in constant progress (and occasional regress).
Release Date:
November 10, 1950
Original Title:
Woman on the Run
Alternate Titles:
Achtervolging in Frisco
Dans l'ombre de San Francisco
Eu Vi Um Crime
Femeie pe fuga
Il mistero del marito scomparso
La ronde infernale
Murhaaja etsii itseään
O stohos tou dolofonou
Vidnet der forsvandt
Vittnet som försvann
Genres:
Crime | Mystery | Thriller
Production Companies:
Fidelity Pictures Corporation
Production Countries:
United States of America
Ratings / Certifications:
DK: 11 FI: K-12 SE: 11 US: NR
Runtime: 77
Frank Johnson, a sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
Art Direction:
Boris Leven
Assistant Director:
Maurie M. Suess
Costumer:
Martha Bunch
Dialogue:
Ross Hunter
Director:
Norman Foster
Director of Photography:
Hal Mohr
Editor:
Otto Ludwig
Hairstylist:
Vera Peterson
Music:
Arthur Lange
Original Music Composer:
Emil Newman
Original Story:
Sylvia Tate
Producer:
Howard Welsch
Production Supervisor:
Ben Hersh
Screenplay:
Alan Campbell
Norman Foster
Set Decoration:
Jacques Mapes
Sound:
Mac Dalgleish
Fred Lau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.