Violence in a Women's Prison (1982) [R]

Release Date:
September 9, 1982

Original Title:
Violenza in un carcere femminile

Alternate Titles:
"Emanuelle" esclava de la corrupcion
Black Emanuelle - Laura
Black Emanuelle: das frauenzuchthaus
Black Emanuelle: revolte im frauenzuchthaus
Caged Women
Chicks in Chains
Emanuelle Reports from a Women's Prison
Emanuelle en el reformatorio de las perdidas
Emanuelle in Hell
Laura: eine frau geht durch die hölle
Pénitencier de femmes
Violencia en una cárcel de mujeres
Women's Penitentiary IV
狱中艾曼妞
狱中艾曼纽

Genres:
Action | Horror | Thriller

Production Companies:
Beatrice Film
Imp.Ex.Ci.
Les Films Jacques Leitienne

Production Countries:
France | Italy

Ratings / Certifications:
DE: 18  ES: 18  IT: 18+  US: R 

Runtime: 98

The strong ones take, the weak ones give.

Laura Kendall, also known as Emanuelle, arrives at a remote prison with a long, fictional rap sheet that will allow her to go undercover to report on the cruelties behind bars.

Additional information:

The Search Form


Art Direction:
Maurizio Mammi

Assistant Director:
Claudio Fragasso
Olivier Gérard

Assistant Editor:
Gilbert Kikoïne

Camera Operator:
Renato Doria

Director:
Bruno Mattei

Director of Photography:
Luigi Ciccarese

Editor:
Bruno Mattei

Hairstylist:
Marisa Fraticelli

Makeup Artist:
Marcello Di Paolo

Music:
Luigi Ceccarelli

Post-Production Manager:
Christian Alexander Morán

Production Manager:
Walter Brandi
Sergio Cortona
Remo Odevaine

Screenplay:
Claudio Fragasso
Ambrogio Molteni

Sound Recordist:
Paolo Picchi

Special Effects:
Armando Grilli

Still Photographer:
Giovanni Leacche

Story:
Ambrogio Molteni

Stunts:
Virgilio Daddi

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.