A work in constant progress (and occasional regress).
Release Date:
March 19, 1992
Original Title:
Zero Hour
Ratings / Certifications:
N/A
Runtime: 30
The transgression and confrontation is re-enacted in this brilliant fugue-like film by Dana Plays constructed of found footage, and concerning both American involvement in oversees conflict and the resultant unseen plight of the child refugee. Subverting state-sponsored informational films on such issues as war bonds and highway safety, Plays transforms these agit-prop rhetorics into a celluloid mirror of transgression as a larger cultural pathology. In Zero Hour, the results - the products of war return to the initial cite of production: an assumed audience of Americans, middle-class citizens of an ideal suburban dream who have somehow foregone the immediate experiences and repercussion of mass destruction and displacement. The gaze rests on us. We are the sugar-stated, hyper and unaware violator, an audience whose relationship to world events is nowhere more homogeneous than in or communal incubation and guilt.
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.