The Messenger (2012) [N/A]

Release Date:
October 18, 2012

Original Title:
Posel

Alternate Titles:
Tanec ve slepý ulici
The Messenger

Genres:
Drama

Production Companies:
Česká televize

Production Countries:
Czech Republic

Ratings / Certifications:
 N/A

Runtime: 100

The Death End Express.

Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.

Additional information:

The Search Form


Art Direction:
Radovan Veselý

Assistant Camera:
Bořek Mikeska
Libor Máca

Assistant Director:
Alexandr Konstantinos Pondikas

Assistant Production Manager:
Hana Kopecká

Costume Design:
Vladimír Michálek

Director:
Vladimír Michálek

Director of Photography:
Martin Štrba

Dramaturgy:
Jaroslav Kravka

Editor:
Olga Kaufmanová

First Assistant Director:
Viktor Walter

Makeup Artist:
Květa Zavřelová
René Bartáček

Music:
Radim Hladík Sr.

Producer:
Igor Chvála
Darina Levová
David Ziegelbauer

Production Manager:
Igor Chvála
Alexandra Burianová

Screenplay:
Marek Epstein

Sound Editor:
Radim Hladík Jr.

Stunt Coordinator:
Luděk Jelen

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.