A work in constant progress (and occasional regress).
Release Date:
March 20, 2012
Original Title:
Good Satan
Genres:
Comedy
Production Companies:
Ammo Content
Production Countries:
Canada
Ratings / Certifications:
US: NR
Runtime: 81
A camera crew has the unique opportunity to record Satan in his natural habitat and it looks like he's quite happy with it. He has the perfect job, he is for the most part feared and respected, and his minions jump to his every whim. After 6,000 years he is invited back to heaven, and he goes - expecting to return to his place beside God as Lucifer, the Angel of Light. But when it turns out the invitation is not for the expected welcome home, but is rather for Christ's Second Coming-out party, things quickly go to hell. Worse, his former girlfriend is now partnering with the biggest douche-bag in Heaven. Satan decides he misses the place anyway, and wants back in. So he decides he needs to find a way to re-earn God's respect in order to be welcomed back. We learn that the Devil does for once care - kind of.
Cinematography:
Benjamin Kantor
Director:
Sara Lohman
Editor:
Donna Mathewson
Original Music Composer:
Matthew Llewellyn
Producer:
Tim Merkel
Nicholas Tabarrok
Writer:
Sara Lohman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.