A work in constant progress (and occasional regress).
Release Date:
April 27, 1966
Original Title:
Cartes sur table
Alternate Titles:
Cards Face Up
Karten auf den Tisch
Genres:
Comedy | Science Fiction | Thriller
Production Companies:
Ciné-Alliance
Hesperia Films
Spéva Films
Production Countries:
France | Spain
Ratings / Certifications:
N/A
Runtime: 92
Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.
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Assistant Camera:
Julio Leyva
Assistant Director:
Pierre Lary
Assistant Editor:
Monique Teisseire
Assistant Production Manager:
Robert Demollière
Camera Operator:
Roger Delpuech
Costumer:
Dorothée Bis
Director:
Jesús Franco
Director of Photography:
Antonio Macasoli
Editor:
Marie-Louise Barberot
Line Producer:
Henri Baum
Location Manager:
Germán Quejido Perrucha
Makeup Artist:
Emilio Puyol
Music:
Paul Misraki
Producer:
Michel Safra
Serge Silberman
Production Manager:
Henri Baum
Michel Safra
Production Secretary:
Odette Darrigol
Property Master:
Ricardo Bonilla
Germán Quejido Perrucha
Screenplay:
Jean-Claude Carrière
Jesús Franco
Script Supervisor:
Lucía Martín
Set Decoration:
Jean-André d'Eaubonne
Carlos Viudes
Sound Engineer:
Jacques Gérardot
Sound Mixer:
Louis Hochet
Special Effects:
Manuel Baquero
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.