A work in constant progress (and occasional regress).
Release Date:
January 1, 1973
Original Title:
Sepolta viva
Alternate Titles:
La sepultada viva
La tour du désespoir
Sepultada Viva
Thammeni zontani
Genres:
Drama
Production Companies:
C.A.P.A.C.
Euro International Films
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 107
Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.
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Assistant Camera:
Mario Bagnato
Maurizio Maggi
Assistant Editor:
Paola Carlozzi
Roberto Gianandrea
Assistant Production Design:
Claudio Cinini
Boom Operator:
Antonio Pantano
Camera Operator:
Pasquale Rachini
Conductor:
Bruno Nicolai
Costume Designer:
Fiorenzo Senese
Director:
Aldo Lado
Director of Photography:
Mario Vulpiani
Editor:
Alberto Gallitti
Electrician:
Antonio Nicolosi
First Assistant Director:
Ruggero Miti
Hairstylist:
Gilda De Guilmi
Key Grip:
Vittorio Nicolosi
Makeup Artist:
Mauro Gavazzi
Master at Arms:
Sergio Sagnotti
Original Music Composer:
Ennio Morricone
Producer:
Alessandro Altieri
Production Designer:
Fiorenzo Senese
Production Manager:
Pietro Innocenzi
Production Secretary:
Tommaso Pantano
Giosuè Iamiceli
Screenplay:
Antonio Troiso
Aldo Lado
Claudio Masenza
Script Supervisor:
Rosanna Seregni
Second Assistant Director:
Alain Kat
Mario Garriba
Sound:
Roberto Alberghini
Story:
Claudio Masenza
Antonio Troiso
Unit Publicist:
Enrico Lucherini
Matteo Spinola
Margherita Autuori
Wigmaker:
Fiamma Rocchetti
Carboni
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.