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SubUrbia (1997) [R]

Release Date:
February 7, 1997

Original Title:
SubUrbia

Alternate Titles:
SubUrbia – Sixpacks, Sex + Supermarkets

Genres:
Comedy | Drama

Production Companies:
Castle Rock Entertainment
Detour Filmproduction

Production Countries:
United States of America

Ratings / Certifications:
AU: M  CZ: 15+  DE: 12  US: R 

Runtime: 121

Sixpacks, sex and supermarkets.

Overview from TheMovieDB

A group of suburban teenagers try to support each other through the difficult task of becoming adults.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Ferrell A. Shinnick

ADR Mixer:
Robert Deschaine

ADR Recordist:
Dana Porter
Peter Waggoner

Additional Grip:
Doug Mercer
Donis Rhoden

Art Department Assistant:
Peter Atherton
Keith Donnelly

Art Department Coordinator:
Caitlin Maloney

Art Department Trainee:
Matt Frederick

Art Direction:
Seth Reed

Assistant Editor:
Gena Bleier
Mark Coffey
Guy Sappington

Assistant Sound Editor:
Stan Ginsel

Best Boy Electric:
Todd Smiley

Best Boy Grip:
Richard Ball

Boom Operator:
David A. Smith

Cableman:
Scott Streetman

Camera Intern:
Cara Singleton

Camera Operator:
Ralph Watson

Carpenter:
Nathan Calhoun
Darren Patnode

Casting:
Alycia Aumuller
Judy Henderson

Casting Assistant:
Sharon Levy

Casting Associate:
Robyn Knoll
Robyn Levinson
James Pantone
Lisa Pantone

Color Timer:
David Orr

Construction Coordinator:
Andy Blackwood

Costume Design:
Melanie Armstrong Fletcher

Dialogue Editor:
Christian Moore

Director:
Richard Linklater

Director of Photography:
Lee Daniel

Dolby Consultant:
James Wright

Dolly Grip:
Mike Sheeren

Driver:
Ronald D. Chambers
Joe Fiske
Lonnie Nelson
Charles W. Rice
Charles Lee Hackett

Editor:
Sandra Adair

Electrician:
Abby Antweil
Dwight Cary
Scott Conn
Tom Kalbfleisch
Wally Rowell
Harrison Witt

Executive Producer:
John Sloss

First Assistant "B" Camera:
Jimmy Lindsey

First Assistant Camera:
Tom Taylor

First Assistant Director:
James Alan Hensz

First Assistant Editor:
Eric A. Lewy
Nerissa Oden

First Assistant Property Master:
King Orba

Foley Artist:
Gregg Barbanell
Michael J. Broomberg

Foley Editor:
Eric Friend

Foley Mixer:
Robert Deschaine

Foley Recordist:
Dana Porter

Gaffer:
Phil Curry

Graphic Designer:
Jonn Cherico

Grip:
Matt Richardson
Joe Vasquez

Hairstylist:
Kelly Nelson

Key Grip:
Ferrell A. Shinnick

Key Makeup Artist:
Candi Duke

Leadman:
Gary Ledyard

Line Producer:
Ginger Sledge

Location Casting:
Lizzie Curry Martinez

Location Manager:
Caroline Brock
James Crowley

Location Sound Mixer:
Jennifer Murphy

Makeup & Hair Assistant:
Sharon McDonald

Music Coordinator:
Robin Urdang

Music Producer:
Jim Waters

Music Supervisor:
Randall Poster

Musician:
Lee Ranaldo
Steve Shelley

Negative Cutter:
Mo Henry

Post Production Supervisor:
Amy Lowrey

Producer:
Anne Walker-McBay

Production Accountant:
Morgan Miles

Production Assistant:
Michael Moravek

Production Coordinator:
Karen Ruth Getchell
Cynthia Streit

Production Design:
Catherine Hardwicke

Property Master:
Stanford Gilbert

Scenic Artist:
Krista Ernst

Screenplay:
Eric Bogosian

Script Supervisor:
Monika Petrillo

Second Assistant "B" Camera:
Michelle Madison

Second Assistant Camera:
Dennis Reynolds

Second Assistant Director:
Donald Murphy

Second Second Assistant Director:
Dave Halls

Second Unit Director:
Catherine Hardwicke

Second Unit Director of Photography:
Layton Blaylock

Set Costumer:
Lee Hunsaker

Set Decoration:
Keith Fletcher

Set Dresser:
Bart Brown
Joe Herlocker

Set Production Assistant:
Jonathan Hennessey

Sound Effects Editor:
Wayne Bell

Sound Re-Recording Mixer:
Larry Seyer

Stand In:
Marcus H. Nelson

Steadicam Operator:
Ralph Watson

Still Photographer:
Deana Newcomb

Stunt Coordinator:
Walter Strait

Supervising Sound Editor:
Tom Hammond

Theatre Play:
Eric Bogosian

Transportation Coordinator:
Cecil D. Evans

Unit Publicist:
Deborah Wuliger

Wardrobe Supervisor:
Janice Janecek

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.